Aumento dell'8,65% degli incassi in Romania nel 2017
- In inglese: L'anno si è chiuso con un totale di circa 13,8 millioni di entrate nei cinema locali
Questo articolo è disponibile in inglese.
The Romanian film industry ended 2017 with total earnings amounting to approximately €58.46 million, which equates to an 8.65% growth over 2016's figures (€53.8 million), according to definitive statistics announced by the Romanian National Film Center. The number of admissions increased by 6.47%, from 13,033,687 in 2016 to 13,877,470.
The most popular film of the year was Fast and Furious 8, with circa 677,000 admissions. Pirates of the Caribbean: Dead Men Tell No Tales followed hot on its heels, with 412,000 admissions. Fifty Shades Darker (367,000 admissions), Thor: Ragnarok (348,000) and Beauty and the Beast (303,000) round off the year’s top five.
As for European productions, Romanians rooted for Dunkirk [+leggi anche:
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scheda film] (164,000 admissions) and a host of animations: Leap! [+leggi anche:
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scheda film] (99,000 admissions), The Son of Bigfoot [+leggi anche:
recensione
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intervista: Ben Stassen
scheda film] (85,000) and Happy Family (77,000). 1.41 million Romanians paid for a ticket to a European film showing in a local cinema, a significant increase from the 1,065,000 admissions recorded in 2016. The market share of European productions increased from 8.17% in 2016 to 10.20% last year, while the market share for American films decreased slightly from 85.65% to 83.95%.
Romanian films fared much worse in 2017 than they did in 2016, racking up a total of 281,000 admissions last year, as against 428,000 in 2016. The market share of local productions dropped from 3.52% in 2016 to 2.19% last year. The year’s most popular domestic release was Serge Ioan Celibidachi’s Octav [+leggi anche:
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scheda film], with 57,800 admissions. Iura Luncaşu’s Unlucky [+leggi anche:
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scheda film] followed, with 53,900 admissions. The top five was completed by Nae Caranfil’s 6.9 on the Richter Scale [+leggi anche:
recensione
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intervista: Nae Caranfil
scheda film] (32,800 admissions), Daniel Sandu’s One Step Behind the Seraphim [+leggi anche:
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intervista: Daniel Sandu
scheda film] (32,500) and Călin Peter Netzer’s Berlinale-selected Ana, Mon Amour [+leggi anche:
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intervista: Călin Peter Netzer
scheda film] (29,100).
(Tradotto dall'inglese)
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