Andalusian filmmaker Manuel Martín Cuenca (The Daughter [+leggi anche:
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scheda film]) has set his new movie, El amor de Andrea [+leggi anche:
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intervista: Manuel Martín Cuenca
scheda film] (lit. “The Love of Andrea”), which was written by the director himself in conjunction with Lola Mayo (La mujer sin piano [+leggi anche:
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The storyline introduces us to Andrea, a 15-year-old girl who wishes to regain the love of her father, who vanished from their lives when he got divorced from her mother. Andrea remembers having a loving dad and fails to understand why he now doesn’t want to see his children. Tomás and Fidel, her two little brothers, will be her tireless companions on this adventure tinged with disenchantment.

In the words of Martín Cuenca, "El amor de Andrea is a film about affection and family, narrated in a light and free-flowing tone, with a simple mise-en-scène. And the main character is standing up for her right to have her voice heard."

Manuel Martín Cuenca (El Ejido, Almería, 1964) is one of the most prestigious and renowned directors in modern Spanish cinema. After shooting the short films Hombres sin mujeres and Nadie (Cuento de invierno) and the documentaries The Cuban Game and Cuatro puntos cardinales, he made his fiction debut with The Weakness of the Bolshevik, with which he snagged two nominations for the Goya Awards in 2003. These were followed by the features Hard Times, Half of Oscar [+leggi anche:
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intervista: Manuel Martín Cuenca
scheda film] (nine Goya nominations in 2017, two of which it cashed in on, and the FIPRESCI Award at Toronto) and The Daughter (which was in the running for two Goyas in 2021). In addition, he directed the stage play Un hombre de paso, with text by Felipe Vega based on Claude Lanzmann’s work A Visitor from the Living, and starring Antonio de la Torre, María Morales and Juan Carlos Villanueva among its cast.

El amor de Andrea is a film being staged by the director’s company, La Loma Blanca PC, Lazona and El amor de Andrea AIE, in co-production with Alebrije Cine y Vídeo. It boasts the involvement of RTVE and Canal Sur Radio Televisión, funding from ICAA – Spanish Government and backing from the Andalusian Agency of Cultural Institutions. The film will be distributed by Filmax.