The European Film Market, unspooling within the 74th Berlinale (running 15 – 25 February), is shaping up to be a lucrative one for French international sales agent The Party Film Sales (directed by Sarah Chazelle and Etienne Ollagnier).

The team steered by Estelle de Araujo and Samuel Blanc are set to negotiate on behalf of Demba [+leggi anche:
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Presales, meanwhile, are set to kick off on the basis of the screenplay for You Shall Not Make an Image, which will be the 6th feature film by Kaouther Ben Hania who has previously competed in Cannes, who is nominated for this year’s Best Documentary Oscar thanks to Four Daughters [+leggi anche:
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The French sales agent will also be pressing on with presales on five titles in post-production, including Mehdi M Barsaoui’s French-Tunisian-Italian movie Aïcha, on the basis of a promo reel (read our article: https://cineuropa.org/fr/newsdetail/452180/), which will be the director’s second feature after the multi-award-winning work A Son [+leggi anche:
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Another post-production title gracing the line-up is Italian director Alessandra Celesia’s documentary The Flats [+leggi anche:
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scheda film], which takes us to an apartment in New Lodge where Joe is looking back over his childhood memories of "The Troubles". The number of deaths in this Catholic neighbourhood in Belfast was tragically significant. Joe is joined by his neighbours Jolene, Sean, Angie and others, all willingly taking part in this process of reliving the collective memories which have shaped their lives and the area they live in... Production is overseen by French firm Films de Force Majeure together with Belgium’s Thank You & Good Night Productions, the UK’s Dumbworld and Ireland’s Planet Korda Pictures.

Likewise in post-production and pre-sold on a promo reel basis, is Transamazonia (working title) by South Africa’s Pia Marais (who was awarded a Special Mention in Berlin in 2013 by way of Layla Fourie [+leggi anche:
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Standing similarly tall in this tantalising assortment of post-production works are This Life Is Mine by the late Sophie Fillières (article) and In the Nguyen Kitchen by Stéphane Ly-Cuong (article).