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CANNES 2017 Official Selection

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The Croisette in the crosshairs

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- Favourites, outsiders, likely bets and possible candidates: we help you navigate the jungle of potential hopefuls for the 70th Cannes Film Festival (17-28 May 2017)

The Croisette in the crosshairs
(© Louis Fauquembergue / FDC)

As the 67th Berlin Film Festival prepares to unveil its winners on Saturday, the world’s film-industry professionals are already turning their attention and directing their energy towards the 70th Cannes Film Festival (17-28 May 2017), which is far and away the finest showcase for the seventh art, as well as being the most prolific film market. And now that General Delegate Thierry Frémaux has lifted at least part of the veil on the internal goings-on when it comes to choosing the titles in competition on the Croisette in his recent, enthralling book Sélection officielle, we know that the decision process is kicking off as we speak and that the line-up will be fleshed out, in secret, little by little over the next two months. And as is customary, rumours, predictions and other divinations abound on Planet Cinephile as everyone strives to foretell the identity of the titles that will be vying for the 2017 Palme d'Or, set to be handed out by a jury chaired by Pedro Almodóvar (see the news). Here we give a non-exhaustive overview of the possible candidates.

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Starting with European filmmakers, the most favourable odds for punters are on Happy End [+see also:
film review
trailer
film focus
Q&A: Michael Haneke
film profile
]
by Austria’s Michael Haneke, Loveless [+see also:
film review
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]
by Russia’s Andrey ZvyagintsevA Gentle Creature [+see also:
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interview: Sergei Loznitsa
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]
by Ukraine’s Sergei Loznitsa, Thelma [+see also:
trailer
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]
by Norway’s Joachim Trier, Jupiter's Moon [+see also:
film review
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film focus
interview: Kornél Mundruczó
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]
 by Hungary’s Kornel Mundruczo, The Square [+see also:
film review
trailer
film focus
interview: Ruben Östlund
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]
by Sweden’s Ruben Ostlund and You Were Never Really Here [+see also:
film review
trailer
film focus
Q&A: Lynne Ramsay
film profile
]
by Scotland’s Lynne Ramsay, to which we could add the French films Mektoub is Mektoub by Abdellatif Kechiche (see the news), Ismael’s Ghosts [+see also:
film review
trailer
film focus
Q&A: Arnaud Desplechin
film profile
]
by Arnaud Desplechin, Jeannette [+see also:
film review
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interview: Bruno Dumont
film profile
]
by Bruno Dumont and The Workshop [+see also:
film review
trailer
film profile
]
by Laurent Cantet

For the USA, the most serious contenders seem to be The Beguiled by Sofia Coppola, Wonderstruck by Todd Haynes and Radegund by Terrence Malick (which has just been bought by UGC for French distribution), and even Downsizing by Alexander Payne.

Also well positioned in the list of “likely titles” are Une saison en France by Chad’s Mahamat-Saleh Haroun, Radiance by Japan’s Naomi Kawase and Claire's Camera [+see also:
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by South Korea’s Hong Sang-soo (toplined by Isabelle Huppert and shot during last year’s Cannes, during the actual festival). 

Will they be ready in time? This is the question people are asking about The Killing of a Sacred Deer [+see also:
film review
trailer
film focus
interview: Yorgos Lanthimos
film profile
]
by Greece’s Yorgos Lanthimos (who is apparently engrossed in the pre-production of his subsequent film) and Where Life is Born by Mexico’s Carlos Reygadas, and especially about features filmed in late 2016 or early 2017, such as April's Daughter by Mexico’s Michel Franco, Roma by his fellow countryman Alfonso Cuaron, Kings by Turkey’s Deniz Gamze Ergüven, Based on a True Story [+see also:
film review
film profile
]
by Roman Polanski, and even the mysterious Burning by South Korea’s Lee Chang Dong (based on a work by Haruki Murakami). As for Zama [+see also:
trailer
interview: Lucrecia Martel
film profile
]
 by Argentina’s Lucrecia Martel, it wouldn’t be able to take part in the competition whatever happens, as jury chair Pedro Almodóvar is involved as the film’s co-producer. Lastly, we can be certain that Luxembourg by Ukraine’s Myroslav Slaboshpitskiy (see the news) will not be ready by May.

Among the outsiders, we could mention Okja by South Korea’s Bong Joon-ho, When the Waves Are Gone by Filipino director Lav Diaz, Feng Zhong You Duo Yu Zuo De Yun by China’s Lou Ye (in a more mainstream register than his previous works, at least on the face of it), Strolling Invader by Japan’s Kiyoshi Kurosawa, Foxtrot by Israel’s Samuel Maoz, Abracadabra [+see also:
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film profile
]
by Spaniard Pablo BergerFace by Poland’s Malgorzata Szumowska, Under the Silver Lake by rising US star David Robert Mitchell, The Racer and the Jailbird [+see also:
trailer
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]
by Belgium’s Michael R Roskam, Grain by Turkey’s Semih Kaplanoglu (which has been in post-production for quite some time now), A Sort of Family by Argentina’s Diego Lerman, The Summit [+see also:
film review
trailer
interview: Santiago Mitre
film profile
]
by his fellow countryman Santiago Mitre, Monos by Uruguay’s Alejandro Landes, Western by Germany’s Valeska Grisebach, Lean on Pete by British director Andrew Haigh (see the news), Dark River by his fellow countrywoman Clio Barnard and, sticking up for the French side, Redoubtable by Michel Hazanavicius (see the news), BPM (Beats per Minute) [+see also:
film review
trailer
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interview: Robin Campillo
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]
by Robin Campillo and Barbara by Mathieu Amalric (see the news).

Other titles in the starting blocks include His Master's Voice by Hungary’s Gyorgy Palfi (see the news), Dovlatov by Russia’s Alexey German Jr, How to Talk to Girls at Parties [+see also:
trailer
film profile
]
by US director John Cameron Mitchell, Good Favour by Ireland’s Rebecca Daly, L'insulte by Lebanon’s Ziad Doueiri (see the news), Euphoria by Sweden’s Lisa Langseth (see the news), Love Me Not by Greece’s Alexandros Avranas and Eye on Juliet by Canada’s Kim Nguyen. Also assembling on the starting line are Oro by Spaniard Agustin Diaz Yanes (see the news), The Box by Venezuela’s Lorenzo Vigas, A ciambra [+see also:
film review
trailer
film focus
interview: Jonas Carpignano
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]
by Italy’s Jonas Carpignano, Nina by Slovakia’s Juraj Lehotsky (see the news), A Storm in the Stars by Saudi Arabia’s Haifaa Al-Mansour (see the news), Les Carnivores by Belgian brothers Jérémie and Yannick Renier, Laissez bronzer les cadavres by Brussels-based French duo Hélène Cattet and Bruno Forzani (see the news), The Real Estate by Sweden’s Mans Mansson and Axel Petersén, Beyond Words by Polish-Dutch director Urszula Antoniak, Frost [+see also:
film review
trailer
interview: Sharunas Bartas
film profile
]
by Lithuania’s Sharunas Bartas, Khibula by Georgia’s George OvashviliKoko-di Koko-da by Sweden’s Johannes Nyholm, the new, as-yet untitled film by Slovenia’s Olmo Omerzu and Under the Tree by Iceland’s Hafsteinn Gunnar Sigurdsson. And on the French side, there are Fleuve noir by Erick Zonca (see the news), L'amant d'un jour by Philippe Garrel (see the news), Rodin [+see also:
film review
trailer
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by Jacques DoillonNos années folles by André Téchiné (see the news), Mrs. Hyde by Serge Bozon (see the news), Marvin by Anne Fontaine (see the news), Au revoir, là-haut by Albert Dupontel, Espèces menacées by Gilles Bourdos (see the news) and Demain et tous les autres jours by Noémie Lvovsky (see the news), whereas as things stand, The Guardians by Xavier Beauvois (see the news) will likely still be in post-production. 

The feature debuts in with a chance of being selected include titles such as I Am Not a Witch [+see also:
film review
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]
by Zambia’s Rungano NyoniHier by Hungary’s Balint Kenyeres, On Chesil Beach by the UK’s Dominic Cooke, After the War by his fellow countrywoman Annarita Zambrano (see the news), La part sauvage by Belgium’s Guérin Van Der Vorst, The Gulf by Turkey’s Emre Yeksan, The Charmer by Iran’s Milad Alami and, for France, If You Saw His Heart by Joan Chemla (see the news), Ava [+see also:
film review
trailer
film focus
interview: Léa Mysius
film profile
]
by Léa Mysius (see the news), Bloody Milk [+see also:
film review
trailer
interview: Hubert Charuel
film profile
]
 by Hubert CharuelLa fête est finie by Marie Garel Weiss (see the news), Cornelius, the Howling Miller by Yann Le Quellec (see the news), Jusqu'à la garde by Xavier Legrand (news) and Luna by Elsa Dirringer.

(Translated from French)

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