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Vittoria Scarpa


1939 articles available in total starting from 01/03/2007. Last article published on 06/09/2025.

Jim Jarmusch wins Venice's Golden Lion for Father Mother Sister Brother

Jim Jarmusch wins Venice's Golden Lion for Father Mother Sister Brother

VENICE 2025: The Voice of Hind Rajab has scooped the Grand Jury Prize, Below the Clouds the Special Jury Prize and Toni Servillo the Volpi Cup  

06/09 | Venice 2025 | Awards

Giornate degli Autori's GdA Director's Award goes to Inside Amir by Iran's Amir Azizi

Giornate degli Autori's GdA Director's Award goes to Inside Amir by Iran's Amir Azizi

VENICE 2025: Bearcave has scooped the Europa Cinemas Label while Memory and A Sad and Beautiful World won the People’s Choice Award jointly  

05/09 | Venice 2025 | Giornate degli Autori/Awards

Review: Who Is Still Alive

Review: Who Is Still Alive

VENICE 2025: Nicolas Wadimoff brings nine Palestinian refugees together to listen to stories about their previous lives in Gaza, lending a face to the despair of a people who are losing everything  

04/09 | Venice 2025 | Giornate degli Autori

Stergios Dinopoulos, Krysianna B Papadakis • Directors of Bearcave

Interview: Stergios Dinopoulos, Krysianna B Papadakis • Directors of Bearcave

"The two protagonists represent the dualism of the people who live in those areas"

VENICE 2025: The pair of directors talk about their feature debut, which broaches topics such as friendship, bravery and the desire to escape  

04/09 | Venice 2025 | Giornate degli Autori

Damien Hauser • Director of Memory of Princess Mumbi

Interview: Damien Hauser • Director of Memory of Princess Mumbi

"Compared to when I used it in the movie, the AI ​​has improved a lot and it's even a little scary"

VENICE 2025: The Swiss-Kenyan filmmaker whisks us off to the year 2093, on the trail of a director who has to make a documentary about a devastating war, if possible without using AI  

04/09 | Venice 2025 | Giornate degli Autori

Cyril Aris • Director of A Sad and Beautiful World

Interview: Cyril Aris • Director of A Sad and Beautiful World

"I try to tell the story of Lebanon today and its ups and downs through the story of a couple with two different worldviews"

VENICE 2025: The Lebanese director talks to us about his debut fiction feature, a love story set against the backdrop of a deeply scarred country, Lebanon  

04/09 | Venice 2025 | Giornate degli Autori

Nastia Korkia • Director of Short Summer

Interview: Nastia Korkia • Director of Short Summer

"The film was born from a need to reflect on what was happening in my country"

VENICE 2025: The director of Russian heritage talks about her feature debut, in which a little girl who is spending a quiet summer with her grandparents feels the echoes of war  

02/09 | Venice 2025 | Giornate degli Autori

Review: Memory of Princess Mumbi

Review: Memory of Princess Mumbi

VENICE 2025: Swiss-Kenyan filmmaker Damien Hauser creates a film full of inventiveness, a mix between sci-fi, romance and mockumentary that reflects on the use of AI in cinema in a futuristic Africa  

02/09 | Venice 2025 | Giornate degli Autori

Review: Past Future Continuous

Review: Past Future Continuous

VENICE 2025: Morteza Ahmadvand and Firouzeh Khosrovani find an original and poetic way to reflect with intensity upon exile, nostalgia for home and the reality of being far from those we love  

02/09 | Venice 2025 | Giornate degli Autori

Šarūnas Bartas • Director of Laguna

Interview: Šarūnas Bartas • Director of Laguna

"Everything we do is art"

VENICE 2025: The Lithuanian director talks to us about his reflection on the circle of life and of nature  

01/09 | Venice 2025 | Giornate degli Autori

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