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Marina Richter

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Hot docs EFP inside

31 articles available in total starting from 02/02/2018. Last article published on 05/03/2019.

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Review: The New End

Review: The New End

The plot of Leonel Dietsche’s dystopian debut feature is based on an interesting core idea but ultimately goes nowhere  

12/07/2018 | Filmfest München 2018

Review: Everything Always All the Time

Review: Everything Always All the Time

Philipp Eichholtz’s light-hearted comic fantasy, world-premiered at Munich, is an entertaining watch, despite some clumsy attempts at psychological depth  

10/07/2018 | Filmfest München 2018

Review: Fly Rocket Fly

Review: Fly Rocket Fly

Oliver Schwehm presents an electrifying, if somewhat incomplete, documentary on the life of pioneering German rocket scientist Lutz Kayser  

05/07/2018 | Filmfest München 2018

Review: Wackersdorf

Review: Wackersdorf

With his third feature, world-premiered at Munich, Oliver Haffner pierces through to the core of the political games that serve higher industrial interests  

03/07/2018 | Filmfest München 2018

Review: Crush My Heart

Review: Crush My Heart

Beggars can’t be choosers is the message at the heart of Alexandra Makarová’s directorial debut, an ill-fated Roma love story set in Vienna  

22/06/2018 | Films | Austria

Review: In My Room

Review: In My Room

CANNES 2018: Ulrich Köhler’s film is a post-apocalyptic romantic drama that holds the viewer’s interest without resorting to killer viruses or zombies  

18/05/2018 | Cannes 2018 | Un Certain Regard

Review: Euphoria

Review: Euphoria

CANNES 2018: Italy’s Valeria Golino returns with her latest directorial effort, starring Valerio Mastandrea and Riccardo Scamarcio as two brothers grappling with a secret  

17/05/2018 | Cannes 2018 | Un Certain Regard

Review: Pope Francis: A Man of His Word

Review: Pope Francis: A Man of His Word

CANNES 2018: Wim Wenders returns with a surprisingly one-dimensional documentary on the supreme pontiff  

16/05/2018 | Cannes 2018 | Special Screenings

Review: Rafiki

Review: Rafiki

CANNES 2018: Wanuri Kahiu’s second feature film, showing in Un Certain Regard, explores a lesbian relationship in the conservative society of Kenya  

14/05/2018 | Cannes 2018 | Un Certain Regard

Ilya Stewart • Producer

Interview: Ilya Stewart • Producer

“Music is one of Summer’s main characters”

CANNES 2018: Ilya Stewart, the producer of Kirill Serebrennikov’s competition entry Leto, talks to us about the challenges the movie faced on its way to completion  

12/05/2018 | Cannes 2018 | Competition

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