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Carlota Moseguí

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88 articles available in total starting from 19/05/2016. Last article published on 04/03/2020.

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Review: Divine Wind

Review: Divine Wind

TORONTO 2018: Algerian director Merzak Allouache directs his most political film to date, about a pair of Daesh terrorists preparing an attack on an Algerian oil refinery  

11/09/2018 | Toronto 2018 | Masters

Review: Ulysses & Mona

Review: Ulysses & Mona

TORONTO 2018: Sébastien Betbeder's dark comedy portrays the inner struggle between misanthropy and altruism which plays out in a grumpy artist’s stone heart when faced with a new disciple  

07/09/2018 | Toronto 2018 | Contemporary World Cinema

Review: A Land Imagined

Review: A Land Imagined

LOCARNO 2018: The winner of Locarno’s Golden Leopard is an outstanding detective thriller revolving around the existence of parallel realities and identities  

13/08/2018 | Locarno 2018 | Competition

Review: Anything and All

Review: Anything and All

LOCARNO 2018: Portugal’s Dídio Pestana makes his feature-length debut with a poetic existentialist essay about the struggle between memory and the passage of time  

10/08/2018 | Locarno 2018 | Signs of Life

Review: Yara

Review: Yara

LOCARNO 2018: The Locarno Film Festival has hosted the world premiere of the new movie by Iraqi filmmaker Abbas Fahdel, which draws its inspiration from Buñuel and Bresson  

09/08/2018 | Locarno 2018 | Competition

Review: A Family Submerged

Review: A Family Submerged

LOCARNO 2018: Argentinian actress María Alché’s feature debut is a drawn-out dream created in the mind of a woman who is in a state of shock following her sister’s death  

08/08/2018 | Locarno 2018 | Filmmakers of the Present

Review: Sophia Antipolis

Review: Sophia Antipolis

LOCARNO 2018: Through the investigation of the murder of a minor, Virgil Vernier traces a new anthropological map examining how evil is nurtured in the Sophia Antipolis technology park  

06/08/2018 | Locarno 2018 | Filmmakers of the Present

Review: Mariphasa

Review: Mariphasa

BERLIN 2018: The second feature by Portugal’s Sandro Aguilar is an anti-narrative experiment that unfolds in a nightmarish version of Lisbon  

02/03/2018 | Berlinale 2018 | Forum

Review: The Seen and Unseen

Review: The Seen and Unseen

BERLIN 2018: Indonesian director Kamila Andini presents a fantastic tale about the metaphysical connection between a little girl and her terminally ill twin brother  

22/02/2018 | Berlinale 2018 | Generation

Review: Cléo & Paul

Review: Cléo & Paul

BERLIN 2018: The sophomore feature by France’s Stéphane Demoustier is a striking, claustrophobic odyssey through the streets of Paris, seen through the eyes of a lost child  

20/02/2018 | Berlinale 2018 | Generation

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