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THE AIRSTRIP – AUFBRUCH DER MODERNE, TEIL III

by Heinz Emigholz

synopsis

Imagine an airspace into which a bomb has been dropped. The bomb has not reached the site of its detonation, but there is no way to stop its speedy approach. The time between the bomb’s release and its explosion is neither the future (for the ineluctable destruction has not yet happened) nor the past (which is unavoidably about to be extinguished). The flight time of the bomb thus describes absolute nothingness, the zero hour, consisting of all the possibilities that in just a moment will no longer exist. Thus, this story will end before it has begun; here it is told in defiance: an architectural journey from Berlin through Arromanches, Rome, Wrocław, Görlitz, Paris, Bologna, Madrid, Buenos Aires, Atlántida, Montevideo, Mexico City, Brasilia, Tokyo, Saipan, Tinian, Tokyo, San Francisco, Dallas, Binz and Mexico City back to Berlin – into the abyss.

international title: The Airstrip – Aufbruch der Moderne, Teil III
original title: The Airstrip: Decampment of Modernism, Part III
country: Germany
sales agent: Filmgalerie 451
year: 2014
genre: documentary
directed by: Heinz Emigholz
film run: 108'
screenplay: Heinz Emigholz
cinematography by: Heinz Emigholz
film editing: Heinz Emigholz, Till Beckmann
music: Kreidler, Alex Paulick, Thomas Klein, Andreas Reihse, Detlef Weinrich
producer: Frieder Schlaich, Irene von Alberti
production: Filmgalerie 451, WDR Westdeutscher Rundfunk
backing: BKM - Beauftragter für Kultur und Medien, Medienboard Berlin-Brandenburg, Filmförderung Hamburg-Schleswig-Holstein

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