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6933 film reviews available in total starting from 04/09/2002. Last updated on 24/04/2024. 756 film reviews inserted in the last 12 months.
LATEST
A White, White Day by Hlynur Pálmason
16/05/2019
CANNES 2019: In Hlynur Pálmason’s second feature, death conquers love – or perhaps love conquers death
Bacurau by Kleber Mendonça Filho, Juliano Dornelles
CANNES 2019: Kleber Mendonça Filho and Juliano Dornelles’ new work bobs and weaves with gusto and humour, playing with the traditions of the Western, Brazilian cinema and anti-imperialist resistance
Les Misérables by Ladj Ly
CANNES 2019: With his first fiction feature, Ladj Ly paints an intense and impactful portrait of the relations between police and young people in the Paris suburbs
Litigante by Franco Lolli
CANNES 2019: Franco Lolli’s Critics’ Week opener is a sensitive work which follows in the footsteps of a female character who must contend with an accumulation of gruelling circumstances
Deerskin by Quentin Dupieux
15/05/2019
CANNES 2019: Quentin Dupieux delivers a brilliantly refined film, between an absurdist comedy and a realistic drama about madness, with Jean Dujardin and Adèle Haenel excellent in the lead roles
The Unknown Saint by Alaa Eddine Aljem
CANNES 2019: In methodically exploring the precise mechanisms of the burlesque fable, Moroccan filmmaker Alaa Eddine Aljem draws a social portrait evocative of his country
For Sama by Waad Al Khateab, Edward Watts
CANNES 2019: Waad Al-Kateab and Edward Watts’ documentary about Syria arrives in Cannes on the back of festival wins at SXSW and Hot Docs
The Dead Don't Die by Jim Jarmusch
CANNES 2019: Jim Jarmusch’s opening film, produced with the help of Sweden’s Film i Väst, properly introduces the concept of coffee zombies to the world. And the world is grateful
Run by Scott Graham
09/05/2019
Scottish filmmaker Scott Graham's third feature is a story about parents watching children repeat their mistakes, and the conflict between adolescent freedom and adult responsibilities
Acid by Alexander Gorchilin
07/05/2019
Young Russian actor Alexander Gorchilin's directorial debut is an accomplished and somewhat freewheeling look at a particular segment of today's Russian youth
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