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6933 film reviews available in total starting from 04/09/2002. Last updated on 24/04/2024. 756 film reviews inserted in the last 12 months.
LATEST
Loveless by Andrey Zvyagintsev
18/05/2017
CANNES 2017: Andrey Zvyagintsev has made a brilliant, unforgiving and brutally dark film centring on a child caught in the prevailing headlights of hatred
Ismael's Ghosts by Arnaud Desplechin
17/05/2017
CANNES 2017: Arnaud Desplechin brilliantly toys with interlacing narratives to create a dizzying and fabulous tale worthy of abstract expressionism
2Night by Ivan Silvestrini
15/05/2017
Ivan Silvestrini’s second film, a remake of an Israeli film, centres around two young strangers who plan to spend the night having sex, but can’t find a parking space
Behind the Random Denominator by Mart Sander
This horror debut – which recently had its world premiere at the Haapsalu Horror and Fantasy Film Festival in Estonia – plays with the clichés of the genre to present a puzzle box of a film
Fade into Nothing by Pedro Maia
12/05/2017
Pedro Maia’s feature debut, a collaboration with musician Paulo Furtado and photographer Rita Lino, was shot in the Californian desert
Black Heart by Rosa Coutinho Cabral
09/05/2017
With her new film, in competition at IndieLisboa, Rosa Coutinho Cabral delivers a portrait of a couple in crisis, starring Maria Galhardo and João Cabral
Satan Said Dance by Katarzyna Roslaniec
Katarzyna Roslaniec confirms her creative line and her interest in the dilemmas of a generation of young people lost along the road to maturity
Alien: Covenant by Ridley Scott
08/05/2017
Ridley Scott's film, being released in theatres, narratively dovetails into the 1979 original. Action and splatter scenes may satisfy the tastes of young enthusiasts of the genre
The Objects of Love by Adrian Silvestre
After scooping the FIPRESCI Prize in Resistencias at Seville, Adrián Silvestre’s debut film is touring various festivals, revealing the tough everyday lives of a pair of tenacious emigrants in Rome
The Eternals by Pierre-Yves Vandeweerd
05/05/2017
Belgian director Pierre-Yves Vandeweerd’s fourth documentary is a poetic commentary on the open wounds of the Armenian people that will not heal
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