Johannes Naber • Director
"Make every film as if it were your last"
by Linda Söffker - German Films
- German Films chatted to director Johannes Naber, discussing his career and uncovering the secrets of his latest film, Heart of Stone
Johannes Naber has a recipe for success: he is a person who thinks politically, and a director with something to say. He formulates a theory, poses intelligent questions, and opens up people’s eyes. No insights or ideas are too crazy for him to turn into a good film – there just needs to be a clever idea behind it.
I met Naber for the first time on the stage of the Berlinale in 2011, at the presentation in the Perspektive Deutsches Kino of the Max Ophüls Prize winner, which he had just won for his feature film debut The Albanian [+see also:
interview: Nik Xhelilaj - Albania
film profile]. He was self-confident in discussion with the audience and astonishingly well-dressed for a young filmmaker. His film was received with great enthusiasm by many festival-goers all over the world, winning the Special Jury Award in Moscow, and enjoying great success in Albanian cinemas. Overnight, Johannes Naber’s name was added to the list of “people to watch”.
Johannes Naber began at the Filmakademie Baden-Württemberg, initially in the screenplay writing course, but ending up in the field of documentary film directing, where he graduated in 1999 with the 60-minute film Popstar. Everything in his film about a girl band and a singer-songwriter from Hamburg centered on the question of compromises that have to be accepted in order to become a successful artist, a luxury not everyone can afford. So that Johannes Naber can afford this luxury, he has been working as a gaffer for other projects (eg, Jack [+see also:
film profile] by Edward Berger or The Culpable [+see also:
film profile] by Gerd Schneider) and so procuring a financial basis which allows him more freedom in his work as a director.
“Non-conformism is actually the aim,” Naber says with an arch smile, and tells me how Laurens Straub once said to him that now he had succeeded; he was only making “consensus-free” films these days. Naber likes that – for him, it’s what it’s all about.
When he and his sister Milena Maitz, producer and managing director of studio.tv.film, began to work on his second full-length feature Age of Cannibals [+see also:
film profile], they also thought: now we are making a film that will meet with absolutely no consensus. And as things turned out, it’s not far out at all, people think it’s super. At the award ceremony for the German Film Award 2015, the grotesque story of corporate consultants rightly won the bronze Lola in the category Best Feature Film, and screenplay writer Stefan Weigl received the Lola for the Best Screenplay.
In reference to a Fassbinder quotation, Naber put the label “films not bombs” on his earlier works, but he no longer uses it that way today. “If you want to get maximum effect (...) you have to try to make an impact through content not via form or a label,” Naber says, summing up his attitude. One thing is certain, he always follows the motto: “Make every film as if it were your last.”
Johannes Naber enters into temporary alliances for this, re-forging them for every new project rather than backing a fixed network. The idea of a machine that the same old people keep putting money and ideas into, and good films then come out at the bottom – it doesn’t work for Naber. “I have respect for networks like that, but it is the wrong approach for me. I need to construct a new machine for every project. That’s my insight gained from the past.”
Now we are eagerly anticipating Naber’s new film, Heart of Stone [+see also:
interview: Johannes Naber
film profile] with Frederick Lau and Henriette Confurius in the leading roles – a fairy-tale film for adults, a romantic love story. Naber himself describes it as “a mixture of Russian fairy-tale film and Game of Thrones, an opulent work, not a respectable German fairy-tale, not historical realism, but genre and cliché with an anti-materialistic message, cinema of the best standard.” It is Naber’s third feature film and at the same time, his third film telling of money and its negative effects on people. That is obviously Naber’s theme – money as excess, and how it brings evil into the world. Heart of Stone will be launched in German cinemas this autumn.
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