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RELEASES Italy

Better not interrupt the heads of household in Padroni di casa

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- Hitting cinemas on October 5 and distributed by Good Films, Edoardo Gabbriellini’s second film is a reflection on violence

In his second take at being a director, after B.B. and Cormorano, selected for Critics’ Week in Cannes in 2003, Edoardo Gabbriellini returns to the director’s seat with a dark and gloomy film: one of many films focused on violence.

Coming out on October 5, with 150 copies distributed by Good Films, Padroni di casa [+see also:
film review
trailer
film profile
]
follows two bricklayer brothers, played by Elio Germano and Valerio Mastandrea. The brothers leave Rome to go to a little village in the Apennines in order to plaster the terrace of a famous singer (played by Gianni Morandi). The singer has been avoiding the spotlight since his wife (Valeria Bruni Tedeschi) became gravely sick, and he decided to take care of her. The old singer, who is about to return to the stage to help the tourism industry, will prove himself to be a little monster of vanity and hypocrisy. The two brothers will disrupt the community’s equilibrium and they will have to come head to head with local youth, in an escalation of violence reminiscent of Sam Peckinpah’s straw dog from fourty years ago.

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An actor launched by Paolo Virzì, who wanted him to play the main role in Ovosodo, Gabbriellini was the young chef who Tilda Swinton fell in love with in Io sono l’amore by Luca Guadagnino (the latter is one of this film’s producers). Director Gabbriellini has gone on to show an interest for anthropological inquiry in one of the most gothic provinces with harmony and congruence, enriching the landscape with worrying nuances, but nevertheless missing a plausible end.

Meanwhile, Italian music legend Gianni Morandi acts with the same rigidity already seen at the Sanremo Song Festival, Valerio Mastandrea gets into the shoes of a worker full of life, and Elio Germano support the endeavour with his usual instinct.

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(Translated from Italian)

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