12/11/2015 - An ironic title for a strange thriller directed by Pablo Hernando, with a surprising and risky twist in the middle of the plot

Berserker, as Pablo Hernando (Vitoria, 1986) himself affirmed at the presentation of his second feature-length film in the New Waves and Resistances sections – the most radical, iconoclastic and challenging of the 12^th Seville European Film Festival – is a Viking warrior, brave and savage, who drugs himself before battle, and nothing can make him back out. Hugo Vartan is the complete opposite, the protagonist in this atypical film noir (played by Julián Génisson), an author looking for a juicy story for his next book. He comes across one in the form of the sister of his flatmate's boyfriend (Ingrid García Jonsson, the real revelation of Beautiful Youth [+see also:
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Starting off like that, in pure David Lynch style, piques the interest of not only Hugo, but everyone watching the film. Like that, as the protagonist starts to investigate, we attentively follow his enquiries and questioning of people close to the beheaded victim and his possible executioner. Hernando proceeds to envelope us in a trance, set against a bleak Madrid backdrop, far from what is seen on postcards, in an estranged atmosphere while we laugh about far-fetched situations with the ironic mood that comes across, above all, from the dialogue between the two main characters, who are going through a three-fold crisis: economic, creative and of life itself.

Berserker [+see also:
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While in Cabás, his first firm, Hernando rendered homage to Arrebato, by Iván Zulueta, and to Diamond Flash [+see also:
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Hernando is interested in unsettling, something that he is also set to do in the section that he is making in Esa sensación [+see also:
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(Translated from Spanish)