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INDUSTRY Belgium

Swiss landing

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14 features from Belgium will be screened at the Geneva Select Market this year, within the framework of the Tout Ecran 11th Film Festival which runs from the 31st of October to the 5th of November. Organised by Swiss Film, this film market proposed that Wallonie-Brussels-Images (organism for the promotion of Belgian cinema abroad) brings the films of their choice to show them to Swiss professionals and internationals from film and audiovisual production.

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Some of them have not yet been released in Belgium, such as Parabola by Karim Ouelhaj (presented at Venice Days this year) and also La Couleur des mots (The Colour fo Words) by Philippe Blasband whose previous work we can also see : Un Honnête commerçant (An Honest Shopkeeper). The WBI also comes with numerous first filmss : Pourquoi se marier le jour de la fin du monde (Why get married on the last day of the World) by Harry Cleven made before the more recent Trouble [+see also:
film review
interview: Harry Cleven - director of …
interview: Harry Cleven
film profile
]
, 25° en hiver [+see also:
trailer
film profile
]
(25° in Winter)
by Stéphane Vuillet , Bunker Paradise [+see also:
film review
trailer
interview: Stefan Liberski
film profile
]
by Stefan Liberski (to which Cineuropa and Cinergie dedicated a Focus a few days ago).

And so a programme rich with discovery, completed by Madame Edouard [+see also:
trailer
film profile
]
by Nadine Monfils, Les Suspects (The Suspects) by Kamel Dehane, Luxembourg co-production J'ai toujours voulu être une sainte (I always wanted to be a Saint) by Geneviève Mersch, La Femme de Gilles [+see also:
trailer
film profile
]
(Gilles’ Wives)
by Frédéric Fonteyne, Au-delà de Gibraltar (Beyond Gibralter) by Taylan Barman and Mourad Boucif, Nuages, lettre à mon fils (Clouds, letters to my Son) by director and producer Marion Hansel and finally Petites Misères (Small Miseries) by Philippe Boon and Laurent Brandenbourger.

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(Translated from French)

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