Sons: In the skin of a paedophile
by Carlo D'Ursi
The Zabaltegui section of the San Sebastian Film Festival, dedicated to young directors, has been an endless source of surprises. The section has screened “small” films with big content this year, with particular attention paid to youthful themes. In this sense, Sons” by Erik Richter Strand can be considered a pearl of the Basque festivities.
Lars, 25, works in a city pool where 50 year-old Hans seduces adolescents to satisfy his perversions. He meets them, becomes their friend and confidante, then pays them for sexual favours. The young Lars begins a crusade against the paedophile, creating an “anti-paedophilia brigade”, in the attempt to stop this spiral of perversion. His actions, rather than solving the problem, will place the victim’s lives in danger.
Young director Strand took many risks with his film and at the press conference said he was aware of the dangers and of the fact that he had made a controversial film. In fact, after an action film beginning, attention turns towards Hans’ life, his modus operandi, and the intimate relationship of mutual affection that he establishes with his victims.
The filmmaker looks at the human behind the paedophile, to the point of inducing in the spectator a nauseating feeling of empathy – an uncomfortable and unpleasant sensation that audiences could not, however, shed at film’s end. The proof lay in the Q&A with the director after the screening, during which the recurring question was: “How could you make this?”
Sons focuses on the darkest and least social side of each of us, to the point of evoking compassion for Hans, who is forced to do something extreme at the end of the film. And so the question changes as Richter was simply an instrument for opening Pandora’s Box.
The question thus becomes: “How is it possible to feel this feeling?” Richter’s answer was clear, biting and as cold as a bath in a Norwegian fjord: the reason is compassion, as intended by the Catholic religion, as a moral incentive on our conscience that transfers the line between good and evil according to the times.
A 100% Norwegian production (Eric Vogel for Tordenfilm), Sons is being distributed internationally by Bavaria Film and was released in Norway at the beginning of this month to optimal results, a trend that is destined to improve.
(Translated from Italian)
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