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RELEASES UK

Besson and Eyre top 350 screens each

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Two mainstream European films are among today’s six new openers: French children’s film Arthur and the Invisibles [+see also:
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by Luc Besson, released in 380 cinemas by Momentum Pictures, and the Oscar nominated UK drama Notes on a Scandal [+see also:
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by Richard Eyre, released on 350 screens by 20th Century Fox.

Arthur and the Invisibles [+see also:
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will be the second family film playing on over 350 screens for Momentum, along with Miss Potter [+see also:
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, still doing very well on UK screens, with over €5.4m grossed after four weeks.

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The independent distribution company has the right financial muscle to support Arthur [+see also:
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with a heavy marketing campaign and print run, and the presence of Madonna (who lent her voice to Princess Selenia) should help attract the core children’s audience and cover the negative noise from UK reviewers.

The singer, who lives in London and was among the numerous VIPs who attended the film’s UK premiere on January 25, and Luc Besson also held a post-screening Q&A at London’s National Film Theatre last Saturday. Other actors/singers with star appeal lending their voices to Arthur [+see also:
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characters include David Bowie and Robert de Niro.

Targeting a totally different audience, Notes on a Scandal [+see also:
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– unlike Arthur [+see also:
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– is being carried by excellent reviews in the UK press and its four Oscar nominations, notably for its two leading ladies, Dame Judi Dench and Cate Blanchett.

Screening out of competition at the upcoming Berlinale, the film reunites UK filmmaker Eyre and Dench five years after Iris. The psychological thriller, written by Patrick Marber (nominated for an Oscar for his work), is based on Zoe Heller’s novel What Was She Thinking. Dench plays a lonely and bitter London schoolteacher who develops an obsession for the school’s new art teacher (Blanchett). However, their ambiguous friendship soon turns sour.

The film was produced in the UK by DNA Films with Scott Rubin in the US for 20th Century Fox. The UK Film Council and BBC Films also co-financed the film.

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