email print share on Facebook share on Twitter share on LinkedIn share on reddit pin on Pinterest

Berlinale 2010 / Panorama

(The article continues below - Commercial information)
Hot docs EFP inside

12 articles available in total starting from 11/01/2010. Last article published on 20/02/2010.

page:   [1]  2 

Postcard to Daddy a cathartic and educational journey

Berlin-born filmmaker Michael Stock, known for his 1993 cult feature Prince in Hell, turns the camera to himself and his immediate film for the documentary Postcard to Daddy. The film is part of...  

20/02/2010 | Berlinale 2010 | Panorama

Berlin audiences Suffer Albaladejo’s latest gladly

Spanish director Miguel Albaladejo (Bear Cub, Volando Voy) looks to the past of Spanish cinema for the inspiration of his latest, Born to Suffer, which premiered in Berlin as part of the Panorama...  

19/02/2010 | Berlinale 2010 | Panorama

Barriere creates bridge between cinema and theatre

The theme of theatre productions, which is not new in cinema but often makes the mistake of being overly dry and intellectual, nonetheless owes a few good examples to Shakespeare’s tragedies (from...  

19/02/2010 | Berlinale 2010 | Panorama

108, an article with an untold history

One of the most interesting films in the Berlinale’s Panorama Dokumente section this year is the Spanish production 108 (Cuchillo de palo), from Paraguayan documentary-maker Renate Costa. Staying...  

18/02/2010 | Berlinale 2010 | Panorama

Going South and back into the past

French filmmaker Sébastien Lifshitz’s third feature, Going South, continues the obsession with the evanescence of youth and the fluidity of sexuality that the director explored in his two previous...  

18/02/2010 | Berlinale 2010 | Panorama

Purity and perversion in Initiation

Viennese director Peter Kern, a Berlinale regular whose 60th birthday coincided yesterday with the Berlinale’s anniversary, presented for this occasion his new film, Blutsfreundschaft, in the...  

14/02/2010 | Berlinale 2010 | Panorama/Austria

Tragedy on both sides of the Black Sea in When We Leave

The Panorama section this year presented Feo Aladag’s When We Leave, a German debut feature so beautiful and masterly made that it could have claimed a place in competition. From the moment she...  

13/02/2010 | Berlinale 2010 | Panorama/Germany

The past comes knocking in Kawasaki’s Rose

The challenge faced by Petr Jarchovsky and Jan Hrebejk, respectively the screenwriter and director of Czech film Kawasaki’s Rose, presented in the Panorama section of the 60th Berlin International...  

13/02/2010 | Berlinale 2010 | Panorama

Love, death and miracles in For the Good of Others

Diego is a specialist in treating pain. He works in a Madrid hospital with very, often terminally, ill patients, with his wife, with whom (despite a still-strong bond) he has tired and sporadic...  

13/02/2010 | Berlinale 2010 | Panorama

Aronadio’s One Life Maybe Two a disturbing Sliding Doors

How to portray the frustrations of a generation that hears it has its whole life ahead of it yet invariably finds itself at the mercy of fate or society? Debut filmmaker Alessandro Aronadio, who...  

12/02/2010 | Berlinale 2010 | Panorama/Italy

page:   [1]  2 
(The article continues below - Commercial information)

Privacy Policy