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Rome 2022

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13 articles available in total starting from 23/09/2022. Last article published on 26/10/2022.

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Review: Rheingold

Review: Rheingold

Fatih Akin's film about rapper Xatar is masterfully shot but loses focus as it tells its character’s real-life story — from Kurdish refugee, to cynical criminal, to German hip hop star  

26/10/2022 | Rome 2022

Review: In a Land that No Longer Exists

Review: In a Land that No Longer Exists

Despite the presence of a decent cast and an appealing setting, Aelrun Goette’s coming-of-age romcom gets bogged down in too many clichés inherent to the two genres  

26/10/2022 | Rome 2022

Review: Gym Class

Review: Gym Class

Scripted by the D’Innocenzo brothers, Stefano Cipani’s second film respects unity of place and time and is buoyed by its dialogue and acting performances, yet its tone remains unclear  

26/10/2022 | Rome 2022

Review: Robbing Mussolini

Review: Robbing Mussolini

Despite technical decency and a promising basic concept, Renato De Maria’s new film is chaotic and unenjoyable  

25/10/2022 | Rome 2022

January triumphs at the 17th Rome Film Festival

January triumphs at the 17th Rome Film Festival

The Best Film, Best Director and Best Actor awards went to the film by Latvian filmmaker Viesturs Kairišs, while Summer Scars was elected best film of Alice nella Città  

24/10/2022 | Rome 2022 | Awards

Review: Strangeness

Review: Strangeness

Roberto Andò’s fanciful film sees Luigi Pirandello finding inspiration for his most ground-breaking work in an encounter with two gravediggers with a penchant for amateur dramatics  

21/10/2022 | Rome 2022

Review: Never Too Late for Love

Review: Never Too Late for Love

Gianni Di Gregorio’s movie is a brilliant comedy casting a tender and disenchanted eye over the loves, ailments and infinite annoyances of the third age  

21/10/2022 | Rome 2022

Review: Caravaggio’s Shadow

Review: Caravaggio’s Shadow

Michele Placido directs a mega production about the life and work of the great 17th century painter, seeking out the truth and foregrounding the disgraced souls who inspired him  

20/10/2022 | Rome 2022

Review: The Man on the Road

Review: The Man on the Road

Gianluca Mangiasciutti’s debut film tells an engaging story about two destroyed lives, which mainly explores the themes of overcoming significant loss and the weight of our own mistakes  

20/10/2022 | Rome 2022

Series review: Django

Series review: Django

Francesca Comencini directs the first few episodes of the new series which loosely revisits Sergio Corbucci’s 1966 film in a contemporary, female key  

19/10/2022 | Rome 2022

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