Toronto 2019 / Special Presentations (The article continues below - Commercial information) 29 articles available in total starting from 21/03/2019. Last article published on 19/09/2019. page: [1] 2 3 next Review: JudyA look-at-me-I'm-a-star performance by Renée Zellweger ensures Rupert Goold's Judy Garland biopic crawls over the rainbow in the end 19/09/2019 | Toronto 2019 | Special PresentationsReview: Dirt MusicPassions run high in Gregor Jordan’s overly melodramatic story of love, grief and trauma set against the backdrop of the Australian Outback 18/09/2019 | Toronto 2019 | Special PresentationsReview: GreedMichael Winterbottom has made a hilarious film about the dangers of capitalism, utilising his muse Steve Coogan as a retail giant 18/09/2019 | Toronto 2019 | Special PresentationsReview: Ordinary LoveDirectorial duo Lisa Barros D'Sa and Glenn Leyburn’s gentle look at a love that runs deeper than illness ultimately feels slight 12/09/2019 | Toronto 2019 | Special PresentationsReview: Hope GapDespite some likeable performances, William Nicholson's light-hearted drama about a marriage breaking up late in life feels contrived 10/09/2019 | Toronto 2019 | Special PresentationsReview: Military WivesPeter Cattaneo’s dramatisation of a true story pleasantly hits familiar notes 09/09/2019 | Toronto 2019 | Special PresentationsInterview: Olivier Assayas • Director of Wasp Network“Every single day brought new problems”VENICE 2019: French director Olivier Assayas sat down to talk to Cineuropa about making Wasp Network, a film based on the Cuban Five, which played in competition 06/09/2019 | Venice 2019 | CompetitionInterview: Václav Marhoul • Director of The Painted Bird“During these 11 years, I’ve had the best producer in the world: Václav Marhoul”VENICE 2019: We chatted to Czech director Václav Marhoul about his gutsy and divisive competition entry, The Painted Bird 06/09/2019 | Venice 2019 | CompetitionReview: The Painted BirdVENICE 2019: Václav Marhoul's audaciously arty account of a suffering World War II boy walks a constant fine line between the sublime and the ridiculous 04/09/2019 | Venice 2019 | CompetitionInterview: Katrin Gebbe • Director of Pelican Blood“I am interested in people on the fringes of society, and I like to dig deeper into why they ended up like this”VENICE 2019: We chatted to German writer-director Katrin Gebbe about her second feature, Pelican Blood, which opened the Orizzonti competition 04/09/2019 | Venice 2019 | Orizzonti page: [1] 2 3 next (The article continues below - Commercial information)