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Venice 2022 / International Film Critics’ Week

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19 articles available in total starting from 25/07/2022. Last article published on 10/09/2022.

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Review: Have You Seen This Woman?

Review: Have You Seen This Woman?

VENICE 2022: The feature debut by Serbian directors Dušan Zorić and Matija Gluščević searches for that most mysterious of figures: the middle-aged mother  

10/09/2022 | Venice 2022 | International Film Critics’ Week

David Wagner's Eismayer wins the Grand Prize of the International Critics' Week

David Wagner's Eismayer wins the Grand Prize of the International Critics' Week

VENICE 2022: This year's two other great winners are Anhell69 by Theo Montoya and Margins by Niccolò Falsetti, the only Italian title in competition  

09/09/2022 | Venice 2022 | International Film Critics' Week/Awards

Review: Queens

Review: Queens

VENICE 2022: Yasmine Benkiran’s debut feature is a parable on female emancipation in Morocco transposed into a hard-hitting road-movie, replete with police tails  

09/09/2022 | Venice 2022 | International Film Critics’ Week

Dušan Zorić and Matija Gluščević • Directors of Have You Seen This Woman?

Interview: Dušan Zorić and Matija Gluščević • Directors of Have You Seen This Woman?

“We liked the fact that the film would grow alongside us over the years, and become more and more mature”

VENICE 2022: The Serbian directorial duo present an intriguing first feature made up of three episodes and focusing on the topic of identity  

08/09/2022 | Venice 2022 | International Film Critics’ Week

Review: Anhell69

Review: Anhell69

VENICE 2022: Theo Montoya’s hybrid feature is an alarming cri de coeur about how hard it is to be young and queer in Medellín, one of Colombia’s most conservative and most dangerous towns  

08/09/2022 | Venice 2022 | International Film Critics' Week

Isabella Carbonell • Director of Dogborn

Interview: Isabella Carbonell • Director of Dogborn

“I never wanted this film to be just a traumatic experience for a select few”

VENICE 2022: The Stockholm-based director balances light and darkness in her engaging story of despair, hatred and submission  

07/09/2022 | Venice 2022 | International Film Critics’ Week

Philippe Petit • Director of Beating Sun

Interview: Philippe Petit • Director of Beating Sun

"There’s growing awareness of the need to have plants around us"

VENICE 2022: The French filmmaker who turned heads with works made outside of the system spoke to us about his highly endearing first feature film  

06/09/2022 | Venice 2022 | International Film Critics’ Week

Review: Dogborn

Review: Dogborn

VENICE 2022: Isabella Carbonell’s debut feature is a gritty, heartbreaking drama that tells us much about human nature and our struggle for survival  

06/09/2022 | Venice 2022 | International Film Critics’ Week

Review: Eismayer

Review: Eismayer

VENICE 2022: In this first feature, based on true events, David Wagner explores the secret homosexuality and coming out of an Austrian drill sergeant  

06/09/2022 | Venice 2022 | International Film Critics' Week

Review: Skin Deep

Review: Skin Deep

VENICE 2022: Kazakh-born, German-based director Alex Schaad’s feature debut is a thoughtful take on the body-swap film  

06/09/2022 | Venice 2022 | International Film Critics’ Week

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