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Venice 2022 / Out of Competition

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17 articles available in total starting from 21/01/2022. Last article published on 13/09/2022.

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Review: The Last Days of Humanity

Review: The Last Days of Humanity

VENICE 2022: The documentary by enrico ghezzi and Alessandro Gagliardo is a torrential and magmatic montage film that testifies to the uniqueness of the language of the moving image  

13/09/2022 | Venice 2022 | Out of Competition

Lav Diaz • Director of When the Waves Are Gone

Interview: Lav Diaz • Director of When the Waves Are Gone

“I consider my kind of filmmaking like writing a novel: I create real characters, the characters are fleshed out, and we see them living in the film”

VENICE 2022: We spoke to the Filipino auteur – famous for his epic-length works – about his long-awaited new feature, a revenge story set amidst the country’s narco-wars  

13/09/2022 | Venice 2022 | Out of Competition

Sergei Loznitsa • Director of The Kiev Trial

Interview: Sergei Loznitsa • Director of The Kiev Trial

“After some stories, you cannot listen to others any more”

VENICE 2022: Diving back into the footage first presented in Babi Yar. Context, the director showcases another moving documentary about Nazi atrocities in his native Ukraine  

12/09/2022 | Venice 2022 | Out of Competition

Review: The Matchmaker

Review: The Matchmaker

VENICE 2022: There is a lot of talking going on in this documentary, but Benedetta Argentieri still doesn’t say much  

12/09/2022 | Venice 2022 | Out of Competition

Review: The Hanging Sun

Review: The Hanging Sun

VENICE 2022: Francesco Carrozzini’s debut film wins over audiences with its well-measured tension and great cast, even if some twists are somewhat predictable  

10/09/2022 | Venice 2022 | Out of Competition

Review: Dry

Review: Dry

VENICE 2022: Paolo Virzì’s movie is a dystopia suggested to him by the recent Covid-19 pandemic, using sarcasm to depict a hopelessly ailing society  

10/09/2022 | Venice 2022 | Out of Competition

Benedetta Argentieri • Director of The Matchmaker

Interview: Benedetta Argentieri • Director of The Matchmaker

“It took a long time for us to strike the right balance, in order to show Tooba exactly how I saw her”

VENICE 2022: We spoke to the Italian journalist and director about her intriguing documentary portraying a female jihadist  

09/09/2022 | Venice 2022 | Out of Competition

Review: Call of God

Review: Call of God

VENICE 2022: South Korean master Kim Ki-duk’s posthumous film possesses some great pathos, but its potential is undermined by its visual patchiness and nebulous writing  

09/09/2022 | Venice 2022 | Out of Competition

Jørgen Leth and Andreas Koefoed • Directors of Music for Black Pigeons

Interview: Jørgen Leth and Andreas Koefoed • Directors of Music for Black Pigeons

“What I don’t like together with my pictures is ‘jazzy’ jazz – and this isn’t ‘jazzy’ jazz”

VENICE 2022: The thoughtful and “picturesque” side of jazz is studied by the Danish directorial duo, themselves exploring it like two seasoned musicians  

08/09/2022 | Venice 2022 | Out of Competition

Gianfranco Rosi • Director of In viaggio

Interview: Gianfranco Rosi • Director of In viaggio

“The Pope 'in viaggio' is a different Pope to the Pope in the Vatican”

VENICE 2022: Examining 37 visits over nine years, Gianfranco Rosi depicts an increasingly progressive Pope Francis, facing up to the world and its troubles  

08/09/2022 | Venice 2022 | Out of Competition

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