The Sunny Side es el mayor éxito de 2017 de la taquilla sueca
por Davide Abbatescianni
- En inglés: El 2017 ha sido un gran año para el cine sueco, liderado principalmente por películas nacionales y coproducciones internacionales
Este artículo está disponible en inglés.
According to the box-office figures recently published by the Swedish Film Institute, the most-watched film of 2017 was Felix and Måns Herngren’s comedy The Sunny Side [+lee también:
ficha del filme], which racked up over one million admissions in Sweden as well as 200,000 admissions in Norway and Finland, grossing around 100 million Swedish crowns (€10.17 million). The Sunny Side is an adaptation of a popular TV show – mostly unknown outside of the Scandinavian region – and focuses on the themes of parenthood and complicated relationships.
Moreover, another Swedish comedy directed by the Herngren brothers also secured a spot in the 2017 top ten – namely, The 101-Year Old Man Who Skipped Out on the Bill and Disappeared [+lee también:
ficha del filme], which took 381,831 admissions and reached eighth place.
The most successful foreign film in Swedish cinemas was, unsurprisingly, Star Wars: The Last Jedi (696,896 admissions), followed by several family films, such as Despicable Me 3 (613,266), Beauty and the Beast (524,111), Moana (475,918), Pirates of the Caribbean: Salazar's Revenge (475,858) and The Boss Baby (381,831). The top ten is rounded off by the horror It: Chapter One (500,389 admissions, coming in in fifth place) and the erotic romantic drama Fifty Shades Darker (381,309 admissions, just scraping in in tenth place).
On the whole, this was a very prolific period for national cinema, as Swedish films were often in the spotlight both nationwide and abroad. For instance, Ruben Östlund’s satirical drama The Square [+lee también:
entrevista: Ruben Östlund
ficha del filme] won the Palme d’Or at Cannes, Janus Metz Pedersen's biopic Borg/McEnroe [+lee también:
ficha del filme] opened the 2017 Toronto International Film Festival, Jens Assur's Ravens [+lee también:
entrevista: Jens Assur
ficha del filme] won the Thessaloniki International Film Festival's Golden Alexander, and Tarik Saleh's thriller The Nile Hilton Incident [+lee también:
entrevista: Tarik Saleh
ficha del filme] received the Jury Prize at Sundance.
The numbers published by the Swedish Film Institute confirm that blockbusters are still driving local demand, but international co-productions and domestic films still have a considerable impact on the market shares. In this respect, the CEO of the organisation, Anna Serner, recently said: “Filmmakers have so many stories that deserve to receive great conditions to become great films. It is gratifying to see that the general quality is increasing through clearer requirements and goal management. Now, I hope that the Swedish public will understand that it is worth paying for and seeing Swedish films.”
(Traducción del inglés)
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