email print share on Facebook share on Twitter share on reddit pin on Pinterest

PRODUCCIÓN Hungría / Reino Unido / Croacia

Tales from the Prison Cell, en posproducción

por 

- El primer largo de Ábel Visky, un documental producido por Proton Cinema y vendido por Taskovski Films, se centra en la relación entre padres en la cárcel y sus hijos en casa

Tales from the Prison Cell, en posproducción

Este artículo está disponible en inglés.

The shoot for the creative documentary Tales from the Prison Cell [+lee también:
crítica
tráiler
ficha del filme
]
 by Ábel Visky, which kicked off two years ago, has just wrapped. This is the feature debut by the 31-year-old Romanian-born director, who studied at the Academy of Drama and Film in Budapest under the tutelage of Ildikó Enyedi and János Szász, and who made a name for himself with various short films, such as Playfellows and Romanian Sunrise.

Tales from the Prison Cell, the screenplay for which was written by the director himself, revolves around the relationship between fathers in prison and their children at home. In addition to the focus of presenting three incarcerated fathers, we gain an insight into the forever-altered lives of their families and children. As we become familiar with their daily lives, we witness the distance and even the closeness that grows between the inmates and their families. As a way of keeping contact, the inmates write fairy tales for their kids, which are then made into films with the children playing the lead roles. The stories convey messages that the fathers have come to see as basic truths during the course of their own lives and believe are important to pass on. Within these stories, in the freedom created by fiction, father and child can be united once again.

(El artículo continúa más abajo - Inf. publicitaria)

Produced by Eszter Gyárfás for Proton Cinema, with Viktória Petrányi serving as line producer, Tales from the Prison Cell is being co-produced by London-based outfit Taskovski Films (which will also take care of the international sales), Croatia’s Fade In and Hungary’s Arisona MPS, with backing from the Incubator programme of the Hungarian National Film Fund, the Croatian Film Fund (HAVC) and Creative Europe. The DoPs on the film were Zágon Nagy and István Kürti, and the editing will be entrusted to László Hargittai and Anna Vághy.

As a reminder, Proton Cinema has produced all of Kornél Mundruczó’s films (Pleasant Days [+lee también:
tráiler
ficha del filme
]
, Johanna [+lee también:
tráiler
ficha del filme
]
, Delta [+lee también:
crítica
tráiler
entrevista: Kornél Mundruczó
entrevista: Orsi Tóth
ficha del filme
]
, Tender Son – The Frankenstein Project [+lee también:
crítica
tráiler
ficha del filme
]
White God [+lee también:
crítica
tráiler
entrevista: Kornél Mundruczó
ficha del filme
]
 and Jupiter’s Moon [+lee también:
crítica
tráiler
entrevista: Kornél Mundruczó
ficha del filme
]
), as well as For Some Inexplicable Reason [+lee también:
crítica
tráiler
ficha del filme
]
 and, more recently, Bad Poems [+lee también:
crítica
tráiler
ficha del filme
]
by Gábor Reisz, Land of Storms [+lee también:
crítica
tráiler
entrevista: Adam Csaszi
ficha del filme
]
 by Ádám Császi and Guerilla [+lee también:
crítica
tráiler
ficha del filme
]
 by György Mór Kárpáti, which was world-premiered at the end of January at Göteborg and is set to hit Hungarian screens on 7 March.

(El artículo continúa más abajo - Inf. publicitaria)

¿Te ha gustado este artículo? Suscríbete a nuestra newsletter y recibe más artículos como este directamente en tu email.

Privacy Policy