email print share on Facebook share on Twitter share on reddit pin on Pinterest


James Ivory reflexiona sobre el cine en Dance Again With Me Heywood!


- El oscarizado director americano será el narrador en la película de Michele Diomà rodada en Nueva York y actualmente en posproducción

James Ivory reflexiona sobre el cine en Dance Again With Me Heywood!
Una imagen de Dance Again With Me Heywood!

Este artículo está disponible en inglés.

James Ivory, who in 2018 and at the grand age of 89 won the Oscar for Best Adapted Screenplay with Call Me By Your Name [+lee también:
ficha del filme
, will feature among the cast of Dance Again With Me Heywood! by Michele Diomà, a work currently in post-production. In this fairy tale of sorts which is shot in English and set in modern-day Manhattan, Ivory will play the role of narrator, shoring up the two young protagonists, Giorgio Arcelli Fontana and Ottavia Orticello.

(El artículo continúa más abajo - Inf. publicitaria)

Dance Again With Me Heywood! unfolds along two intersecting narrative lines: one is purely fictional, where we follow the surreal and existential life of the young Heywood who lives on a roof in New York; the other is that of a documentary, where James Ivory appears as himself and reflects on what Film has been up to now and what it could become in the future. Within the picture itself, which also includes animation, there is a continual play on film language as the director moves from one cinematographic technique to the next, accompanying the two lead actors - Heywood and the woman, with their fictional "Moons Butterfly Syndrome" – as they embark on their metaphysical journey.

In an exclusive interview with Cineuropa, the director revealed a significant discovery made while shooting the film, relating to a work exhibited in the New York Museum of Modern Art (MoMA). “When I visited the museum, one artwork in particular really took me by surprise: “La Bohémienne endormie” by the French artist Henri Rousseau, which he painted in 1897. There was one particular detail which attracted my attention, namely the moon which appeared over the gypsy’s shoulder. It was the same moon I’d seen a thousand times in George Méliès’ 1902 film, Le Voyage dans la Lune! Both have an ironic and surreal humanity to them”. According to Michele Diomà – who, back in 2015, dedicated his documentary Born in the U.S.E (Born in the United States of Europe),produced by Renzo Rossellini,to the advent of film –, it could be argued that Méliès was inspired by Rousseau’s painted moon, “thus establishing the first bridge between painting and cinematography, at a point in time when painting alone was considered to be an art, while film, as we know, was believed to be an invention which would only entertain uneducated audiences for a mere few years. This is a discovery which gives us even greater reason to attribute equal amounts of cultural dignity to film and to painting”. 

Produced by the Italian firm New York Neorealism Factory, a company founded by the director, Dance Again With Me Heywood! features cinematography by Sasha Smolina and editing by Matteo Belletta, while the musical score comes courtesy of Sergio Fiorentino.

(Traducción del italiano)

¿Te ha gustado este artículo? Suscríbete a nuestra newsletter y recibe más artículos como este directamente en tu email.