The Brussels-based company Be For Films (a branch of Playtime), its CEO Pamela Leu and her team composed of Alix de Montblanc and Lisa De Rooster are entering with confidence this 7th Cannes Marché du Film, where they will be selling among other titles Charline Bourgeois-Tacquet’s Anaïs in Love [+lee también:
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entrevista: Charline Bourgeois-Tacquet
ficha de la película], which will be shown in a Special Screening to celebrate the 60th anniversary of Cannes’ Critics' Week. Starring in this film about modern love and chance encounters are Anaïs Demoustier, Valeria Bruni-Tedeschi and Denis Podalydès. Produced by Les Films Pelléas and Année Zéro, the film will be distributed by Haut et Court in France on 15 September.

We stay on the topic of love with Eve Deboise (Lost Paradise [+lee también:
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ficha de la película]) and her Little Lesson of Love [+lee también:
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ficha de la película], which Be For Films is presenting at the Marché (6-15 July) and at the Pré-Cannes Screenings (21-25 June). Produced by French company Blue Monday Productions and Swiss company P.S. Productions, the film centres on the unexpected encounter between Julie (Laetitia Dosch) and Mathieu (Pierre Deladonchamps), opposites in almost every way, who will nevertheless become inseparable. 

Also shown at the Pré-Cannes Screenings is Nous tous, a Belgian documentary from Pierre Pirard, produced by Belgian company Almolu. The film recalls Tomorrow [+lee también:
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ficha de la película] in its approach but, instead of the environment, focuses on society, and tells the stories of audacious citizens who are reinventing the family, education, social relations, culture, work, etc. 

Be For Films will also present at the Marché the first images from À plein temps [+lee también:
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entrevista: Eric Gravel
ficha de la película] by Eric Gravel (Crash Test Aglaé [+lee también:
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ficha de la película]), starring another unmissable French actress, Laure Calamy (winner of the Best Actress César award last March). This film too centres on a woman called Julie, a single mother who struggles to reconcile her family life and her work in a Parisian palace, maintaining a precarious balance which will be disturbed by a transport strike. Produced by Novoprod, the film will also be distributed in France by Haut et Court (read the news).

Based in Bruxelles, Be For Films logically enough presents a beautiful line-up of Belgian films, including Madly in Life [+lee también:
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entrevista: Raphaël Balboni y Ann Sirot
ficha de la película], the feature debut from Ann Sirot and Raphaël Balboni, which is winning a growing list of awards at festivals and will be released in Belgium and France in the autumn; The Last Temptation of the Belgians [+lee también:
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entrevista: Jan Bucquoy
ficha de la película] which marks the return of Belgian cinema’s troublemaker Jan Bucquoy (Camping Cosmos, La Vie Sexuelle des Belges); but also films that have just completed filming, such as Habib [+lee también:
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entrevista: Benoît Mariage
ficha de la película], the anticipated film from Benoît Mariage (Scouting for Zebras [+lee también:
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ficha de la película]), and the new film from Hans Herbots, Ritual (read the news) whose previous film The Treatment [+lee también:
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ficha de la película] was also sold by Be For Films.

Also in the Be For Films line-up are three French films. South Sentinel [+lee también:
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entrevista: Mathieu Gérault
ficha de la película], the feature debut from Mathieu Gerault , about the difficult return to France of a soldier who survived a deadly ambush in Afghanistan. Another French film in the line-up, and which just completed filming, is Le Prix du passage [+lee también:
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ficha de la película], the new film from Thierry Binisti, centred on a young mother fighting for her independence and whose idea of the world is thrown into question when she meets a young illegal immigrant trying to gather the money he need to pay for his crossing to England. Concluding the line-up is The World After Us [+lee también:
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entrevista: Louda Ben Salah-Cazanas
ficha de la película] by Louda Ben Salah-Cazanas, discovered at the latest Berlinale.