The Festival International du Film de Mons just announced its programme for its 36th edition, which will take place entirely in person. Traditionally planned for the end of winter, the festival will exceptionally be held this year at the beginning of summer, from 9 to 16 July. All the elements that make the spirit of the festival will be there, with the International Competition, premieres, meetings, and a spotlight on Belgian cinema. 

The International Competition will present 10 films hitherto unseen in Belgium. In diametrically opposed genres, we will discover Amigo [+lee también:
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ficha de la película] by Spanish filmmaker Óscar Martín, a horrific tale with very dark humour that showed in Sitges, the dramatic comedy My Wonderful Wanda [+lee también:
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entrevista: Bettina Oberli
ficha de la película] by Bettina Oberli (Switzerland) and the Serbian social drama Father [+lee también:
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entrevista: Srdan Golubović
ficha de la película] by Srdan Glubovic, discovered in the Panorama section at Berlinale 2020. Two French features will be on the programme, benefiting from the Critics’ Week label from Cannes 2020: Beasts [+lee también:
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ficha de la película] by Naël Marandin and Gold for Dogs [+lee también:
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ficha de la película] by Anna Cazenave Cambet. Sweat [+lee también:
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entrevista: Magnus von Horn
ficha de la película] by Swedish director Magnus Von Horn, which also got the Cannes 2020 label, is a co-production with Poland that follows the daily life of a fitness coach and Instagram influencer. Another Polish film present is I Never Cry [+lee también:
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entrevista: Piotr Domalewski
ficha de la película] by Piotr Domalewski, seen last year in the New Directors section in San Sebastian, a coming of age story with intra-european immigration as its backdrop. Lastly, we will note the selections of Russian film The Whaler Boy [+lee también:
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entrevista: Philipp Yuryev
ficha de la película] by Philipp Yuryev (co-produced with Poland and Belgium, and winner of the GdA Director’s Award at the Giornate degli Autori in Venice last year), Kazakh production Yellow Cat [+lee también:
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ficha de la película] by Adilkhan Yerzhanov, and Palestinian film Gaza mon amour [+lee también:
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ficha de la película] by Tarzan and Arab Nasser, a French, German, Portuguese and Qatar co-production, the last two of which had been presented in the Orizzonti section in the latest edition of the Venice Film Festival. 

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The festival will also highlight Belgian cinema (with exclusive feature films and special screenings) and, most importantly, young talents from the country with a dedicated short film competition. A conference about cinema professionals will ask the questions “Where are female directors in the history of cinema? What is the place of women in the film industry? What are the sexist stereotypes conveyed through films and what are the solutions to get out of this paradigm?” and will project the short films of the Female Gaze collection imagined by Sarah Carlot Jaber, Alice Godart, Aude Verbiguié Soum, Juliette Klinke, Léa Rogliano and Salomé Richard with the support of the Elles font des films collective.

Moreover, the festival will programme 14 Belgian premieres, including The Big Hit [+lee también:
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ficha de la película] by Emmanuel Courcol, which will be the opening film, and My Father’s Stories [+lee también:
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ficha de la película] by Jean-Pierre Améris which will close the event. The festival will also pay homage to filmmaker Jaco Van Dormael on 11 July.