Today will see Cannes competitor The Restless [+lee también:
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entrevista: Joachim Lafosse
ficha de la película], by Belgian director Joachim Lafosse, screening out of competition in the opening slot of the 10th Champs-Elysées Film Festival, an event which is set to unspool in person only, in cinemas dotted along this famous Parisian avenue, following a 2020 edition which unfolded entirely online on account of the pandemic.

Presided over by French filmmaker Thomas Lilti, who’s flanked by fellow directors Elie Wajeman and Aurel, the actress Agathe Rousselle (Titane [+lee también:
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entrevista: Julia Ducournau, Vincent L…
ficha de la película]) and the musician Yaël Naïm, the feature film jury will deliver its verdict on two competitions dedicated to independent film, one consisting of eight American films and the other boasting an equivalent number of French titles. The latter will notably showcase The Braves [+lee también:
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entrevista: Souheila Yacoub
ficha de la película] by Anaïs Volpé (discovered in the latest Directors’ Fortnight), Mi iubita, mon amour [+lee también:
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ficha de la película] by Noémie Merlant (likewise discovered on the Croisette in an Official Selection Special Screening), The World After Us [+lee también:
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entrevista: Louda Ben Salah-Cazanas
ficha de la película] by Louda Ben Salah-Cazanas (the revelation of the Berlinale’s 2021 Panorama section), Atomic Summer [+lee también:
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ficha de la película] by Gaël Lépingle and Trop d’amour by Frankie Wallach. Three documentaries are also in the running: We [+lee también:
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entrevista: Alice Diop
ficha de la película] by Alice Diop (awarded the Grand Prize within the Berlinale’s Encounters competition), Ladies of the Wood [+lee también:
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ficha de la película] by Claus Drexel (which scooped FIPADOC’s National Grand Prize) and L’Énergie positive des dieux by Laetitia Møller.

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Rounded off by two short film competitions, an ACID “carte blanche” section (featuring I Comete – A Corsican Summer [+lee también:
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entrevista: Pascal Tagnati
ficha de la película] by Pascal Tagnatti, Down with the King by Diego Ongaro and the documentary Soy Libre [+lee también:
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ficha de la película] by Laure Portier), a Riot Girls line-up (exploring the 1980s underground scene as filmed by women), various retrospectives celebrating 10 years of independence for this festival founded by Sophie Dulac, and a tribute to American director Jim Cummings, which he is set to attend in person, the event will ultimately be closed by Zero Fucks Given [+lee también:
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entrevista: Emmanuel Marre y Julie Lec…
ficha de la película] (unveiled in July during Cannes’ Critics’ Week) courtesy of Julie Lecoustre and Emmanuel Marre.