27/06/2007 - Todos lor artículos

Al inicio de la 60ª edición del Festival de Cannes nadie habría apostado por la victoria de 4 months, 3 weeks and 2 days [+lee también:
crítica
tráiler
entrevista: Cristian Mungiu
entrevista: Oleg Mutu
ficha de la película] (leer el artículo ), el segundo largometraje del cineasta rumano Cristian Mungiu, coronado con la Palma de Oro 2007.

• Palma de Oro a la revelación rumana Mungiu
• Mungiu: "Una Palma es más importante que un Oscar"
• Romanian victory for California Dreamin’
• Mungiu llega al corazón de la crítica
• Gran Premio para XXY y doble para Les méduses
• El Festival de cine eclipsa el mercado (1)
• El Festival de cine eclipsa el mercado (2)
• El Festival de cine eclipsa el mercado (3)
• Une vieille maîtresse, la punta de la lanza de Pyramide
• Kusturica mantiene su promesa
• Fatih Akin entre amor y muerte
• La sustituta de Nordisk, éxito de ventas
• Romania Dreamin'
• Los ministros en la cita de la Jornada de Europa
• Globo rojo y pulpos, comodines ganadores de Films Distribution
• Control gana la Europa Cinemas Label
• Elle s'appelle Sabine: el homenaje de Sandrine Bonnaire a su hermana
• Le scaphandre et le papillon triunfa
• Un seductor, Une vieille maîtresse y una joven esposa
• Nace la European Film Commissions Network
• You, the Living: una gran tragicomedia
• El merecedor título de Co-production Office
• Eclécticos acuerdos para Bavaria
• Arn conquista a los compradores
• Trust cierra 60 acuerdos
• La vuelta a los orígenes de Nicolas Philibert
• O Estado do mundo: Seis miradas, seis ventanas al mundo
• La promesa del alba de Lithuanian Film Studios
• Savage Grace: la decadencia de los Baekeland
• France o algún lugar utópico
• Cerrado el contrato de Empties con Fandango-Portobello
• Reprise vendida a Francia
• Just About Love?: Adolescence à la française
• Restoring memories
• Mungiu and Polanski score
• Harmony Korine’s solitary doubles
• Avant que j'oublie: A tale of desire
• Notes on lonely lives
• The Man from London: Tarr, a master of hypnosis
• The tragicomic magic of Persepolis
• Onoma widens sales strategy
• Hallam Foe sells for Independent
• Bac Films chooses Mexicans and wild card Reygadas
• Go Go Asia
• Jellyfish in a jar
• Deep emotions in The Diving Bell and the Butterfly
• Fandango/Portobello sells Sverak’s English-language debut
• Seidl’s human import/export
• Deneuve's lament for a lost son
• Latido dances with Fado
• MK2 gives artist Van Sant carte blanche
• Tehilim: Menachem’s blues
• Italian charm in My Brother Is an Only Child
• Counterparts: Violence suits them
• One for all, all for one
• Zentropa backs Danish Miramax
• Film i Väst invests €6m in 20 titles
• A good job for MDC
• Goalpost looking to score with Clubland
• Firth heading to Genova
• Intramovies sells Olmi’s One Hundred Nails
• Actresses: When art imitates life
• The devil’s advocate
• All is Forgiven, except…
• Tautou to star in Fontaine’s Coco Chanel
• Little Ireland
• Magnus’ silent music of a broken heart
• Mirush hot property for Nordisk
• Intandem gets Blatant and Schnabel
• Asia in Hong Kong for Assayas
• When Nazi ghosts haunt the present
• Just a naive Hero
• Demy’s shadow hangs over Love Songs
• Water Lilies grow up
• Pathé strike gold with Schnabel
• Sandrew Metronome pick Nordisk as sales agent
• In the Moodysson for English
• Lumina hot with Tribeca duo
• Homage to a lost poet
• A cruel 4 Months, 3 Weeks and 2 Days
• A balloon in the Croisette sky
• The boom of French sales agents
• Dreamachine boards Link’s Aftermath
• Delpy and Gallo feature bought by Rezo
• Frears: “In Europe we continue to resist”
• Asia in French spotlight with Wong Kar-Wai
• Former glories and ambitious directors find sanctuary at Cannes
• Romania aims high with Christian Mungiu
• Italy - Frammartino at the Atelier “four times”
• Pathé to sell Schnabel, Chatilliez, Barratier and Asterix
• Films Distribution, from Tehilim to Lady Jane
• UGC International bets on Coco Chanel
• Rezo Films ready to sell five promising titles and 13m2
• Magnus picked up by Onoma
• From Cape Verde to Chinese Lisbon, a focus on short films
• Deluxe line-up for StudioCanal
• Counterparts in Directors' Fortnight
• Auteur cinema comes out from shadows in Directors' Fortnight
• Arte France Cinéma to the power of 10
• Selection: Europe leads the way
• German Films present 21 new titles
• Mader makes French Connection at Atelier
• Generation conflict and bloodbath
• Bayona's The Orphanage competing for Caméra d'Or
• Seven Europeans among wave of Hispanic films
• The Red Balloon to open sidebar
• Horse thieves selected in Critics’ Week
• Slovenian cinema back on red carpet
• Andersson confirmed in Un Certain Regard
• João Pedro Rodrigues in the atelier
• British rock biopic Control to open Fortnight
• From features to animation
• Assayas, Philibert, Lelouch and Birkin out of competition
• EPC line-up includes Sorrentino, Palfi and Gorris
• Three directors and L’avocat de la terreur
• Eight wild cards for France
• Winterbottom and Korine head to the Croisette
• Jaime Rosales brings loneliness to Croisette
• The A to Z of Cannes
• Estonian film makes history
• Hungary in the running with maestro Tarr
• Seidl exports his talent to the Croisette
• An unlikely French quintet
• Luchetti, Rosales and Bruni-Tedeschi among nine European contenders
• Youth and auteurs have the power
• Northern hopes still high
• Frears and his eight-member jury
• Morel’s Après Lui to compete in Cannes sidebar
• Bernal appointed ambassador
• Merle’s Héros to open SIC
• An evening for Ermanno Olmi. And the others?
• Scorcese introduces De Seta to the USA
• Cinando announces two digital alliances
• Ten days and counting
• Projects by five European directors selected for Atelier
• 35 top-class directors celebrate diamond anniversary