01 Distribution entre maestros et nouveaux talents
par Camillo De Marco
- Paolo Del Brocco présente son line-up, dans la lignée de l'offre traditionnelle de RAI Cinema, faite de mélange de genres. En production : les prochains films d'Igort, Bellocchio et Garrone
Cet article est disponible en anglais.
01 Distribution, RAI Cinema's distribution arm, has recorded a market share of more than 12% this season, confirming an average of 10-13% over the last few years. A share that has brought in €70 million in revenue and 10-11 million viewers, who are mainly opting for Italian cinema. "An important fact that suggests, and in some sense requires us, to continue along the same path," comments Paolo Del Brocco, CEO of RAI Cinema, who presented 01's line-up at Torino Film Festival. "A line-up that's once again been built on variety and quality, consisting essentially of films by great directors, talented newcomers and a few selected international titles, which will allow us to converse with various market segments."
During its nine years under Del Brocco’s guidance, RAI Cinema has co-produced 530 films, of which only 12% have been comedies. Some of the names that have contributed to the Italian film industry are Sydney Sibilia, Matteo Rovere, Pif, Giancarlo Fontana and Giuseppe Stasi, Valerio Mastandrea, the Manetti Bros – whose next film will be about the famous cartoon character Diabolik – and master of the graphic novel, Igort.
Igort's film, entitled 5 è il numero perfetto (from the eponymous graphic novel), is an Italian, Belgian and French co-production. Starring in this small Neapolitan tale set in 1970s Italy are Toni Servillo, Valeria Golino and Carlo Buccirosso.
"One of the line-up's predominant features is undoubtedly its variety and mixture of genres. Some directors like to play with the rules of pure genre at close range." Modalità aereo [+lire aussi :
fiche film] by Fausto Brizzi is a comedy, but also a family drama. Non ci resta che il crimine [+lire aussi :
fiche film] by Massimiliano Bruno is a comedy with gangster movie tones (read the news), while Vincenzo Alfieri's Gli uomini d’oro is a metropolitan noir. Leonardo D’Agostini’s The Champion [+lire aussi :
interview : Leonardo D'Agostini
fiche film] is a classic coming-of-age story (news) and Fabio Resinaro's Dolceroma [+lire aussi :
fiche film] is a pure Italian giallo. The line-up also includes I'm not a Murderer [+lire aussi :
fiche film] by Andrea Zaccariello, a legal thriller based on the novel by Francesco Caringella, and The Great Spirit by Sergio Rubini, a bitter comedy about friendship.
"And then we also have some directors who like to use the key aspects and languages of genre film." Gabriele Muccino is backwith I migliori anni, Francesca Archibugi, herself a master in conveying feelings, with Vivere, an intense family drama (news), and Gabriele Salvatores with a new on-the-road film entitled Se ti abbraccio non aver paura, which tells the story of a father and son and touches on the themes of discomfort and disability."
All of the auteur directors have made choices that curiously unite them. "Marco Bellocchio, Matteo Garrone, Gianni Amelio and Mario Martone have all chosen to focus on true stories, historical figures, real events or universal stories known all over the world in a totally personal way." Which is what Marco Bellocchio has donewith Il traditore (news), Matteo Garrone with Pinocchio [+lire aussi :
fiche film], Gianni Amelio with Hammamet and Mario Martone with Capri – Revolution [+lire aussi :
interview : Mario Martone
fiche film]. And finally, there are a few international titles thrown into the mix, such as Anna [+lire aussi :
fiche film] by Luc Besson, The Lost Prince by Michel Hazanavicius (news) and Beautiful Boy by Felix Van Groeningen.
(Traduit de l'italien)
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