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FINANCEMENTS Irlande

Screen Ireland annonce les bénéficiaires de son dernier lot d'aides

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- L'organisme irlandais de soutien au cinéma a confirmé la distribution de bourses pour le développement, la production et la distribution de plus de 60 projets audiovisuels

Screen Ireland annonce les bénéficiaires de son dernier lot d'aides
Le réalisateur Fabio Mollo, dont le projet Shadows sera épaulé par Screen Ireland

Cet article est disponible en anglais.

Screen Ireland, formerly known as the Irish Film Board, has officially announced the recipients of its slate of funding for the last quarter of 2018, in the categories of development, production and distribution. 

The production grant of the biggest magnitude (€250,000) was for Fabio Mollo’s Shadows, produced by Feline Films, and written by the director himself and Damiano Brue. This Italian-Irish co-production revolves around Andros and Alma, two teenagers who grow up in a remote house in the middle of the woods, which their father sees as the only way to protect them from the evil that lies beyond the forest. A production grant of €180,000 was offered to Pink Kong Studios’ Urban Tails, an animated series about urban animals, directed by Aoife Doyle. Other recipients of this quarter’s production grants are Tadhg O’Sullivan’s To the Moon (€125,000, produced by Inland Films) and Alan Moloney’s Windmill Lane: A Feature Documentary (€100,000, produced by Animo TV Productions). In addition, ten provisional offers of commitment were made to Conor McMahon’s Let the Wrong One InMichael Kinirons’ SparrowDavid Freyne’s BeardsTerry Loane’s The Last RiflemanJamie Teehan’s Kiva Can Do – Series 2Veronica Lassenius’ Royals Next DoorTrevor Courtney’s Fantasy IrelandSean O’Cualain’s The Father of the Cyborgs, Aideen Kane, Maeve O’Boyle and Lucy Kennedy’s The 8th, and Sarah Share’s A Short History of Decay

(L'article continue plus bas - Inf. publicitaire)

The development funding section’s largest grant has been bestowed upon Element Pictures (€50,000), which is developing Oscar-nominated director Lenny Abrahamson’s new project, entitled A Man’s World, and co-written by Jon Raymond and the helmer himself. The movie will tell the story of Emile Griffith, a boxer whose 1962 fight against Benny Paret resulted in his opponent’s death. The film body is also backing Lee Cronin’s new feature, written in tandem with Stephen Shields and entitled Box of Bones (€27,000, a Blade Rights production). Cronin’s picture focuses on a couple rebuilding their fractured relationship while inadvertently unearthing some terrifying and dark secrets. 

This quarter, four Treasure Entertainment fiction productions are benefiting from development funding – namely, John Butler’s Kids These Days (€30,000), Eva Birthistle’s Little Pictures (€20,500), Philip McMahon’s Alice in Funderland (€26,000) and Aoife Kelleher’s Just Sixteen (€25,500). Other notable supported documentary projects are Kathryn Ferguson’s Nothing Compares (€15,000, produced by Ard Mhacha Productions), focusing on singer Sinead O’Connor’s career between the years 1987 and 1992, Ross Whitaker’s Beating the Bookies (€15,000), Maurice Sweeney’s The Convention (€15,000), Paul Duane’s Jordantown (€15,000) and Emer Reynolds’ A Low And Quiet Sea (€35,000).

Finally, three projects received distribution support – namely, Paddy Breathnach’s Rosie [+lire aussi :
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(€17,520, distributed by Element Pictures), Nuala O’Connor’s Keepers of the Flame (€15,000, distributed by Eclipse Pictures) and Morgan Bushe’s The Belly of the Whale [+lire aussi :
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 (€12,500, distributed by Wildcard Distribution).

(Traduit de l'anglais)

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