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VENISE 2020

La Sala Web de Venise revient avec 15 films en streaming

par 

- Cette année, cette initiative mise en place sur Festival Scope accueillera trois films de la sélection hors-compétition, dix titres de la section Orizzonti et deux de Biennale College - Cinema

La Sala Web de Venise revient avec 15 films en streaming
Molecole d'Andrea Segre

Cet article est disponible en anglais.

For the ninth consecutive year, the Sala Web of the Venice International Film Festival returns, offering a selection of films from the Out of Competition, Orizzonti and Biennale College - Cinema sections to stream online. The online projections, with limited capacity, will be held on streaming, simultaneously with the official presentations of the films at the Lido. One can get a ticket or a digital pass for the 15 films of the Sala Web from 24 August on http://www.labiennale.org.

(L'article continue plus bas - Inf. publicitaire)
series serie

This year, the Sala Web program will include 3 films from the Out of Competition section, 10 from Orizzonti and 2 from the Biennale College - Cinema. Amongst the available titles are 4 Italian films, which are Molecole [+lire aussi :
critique
bande-annonce
interview : Andrea Segre
fiche film
]
by Andrea Segre (the pre-opening film), The Truth about La Dolce Vita [+lire aussi :
critique
bande-annonce
interview : Giuseppe Pedersoli
fiche film
]
by Giuseppe Pedersoli, Guerra e Pace [+lire aussi :
critique
bande-annonce
fiche film
]
by Martina Parenti and Massimo D’Anolfi, auteurs already in Competition in Venice back in 2016 with Spira mirabilis [+lire aussi :
critique
bande-annonce
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]
, and Nowhere Special [+lire aussi :
critique
bande-annonce
interview : Uberto Pasolini
fiche film
]
by Uberto Pasolini, previously the winner of the Horizons prize in 2013 with Still Life [+lire aussi :
critique
bande-annonce
interview : Uberto Pasolini
fiche film
]
.

In the Orizzonti section, Filipino director Lav Diaz, Golden Lion winner in Venice in 2016 with The Woman Who Left, will be present with Genus Pan, as well as Iranian filmmakers Ahmad Bahrami (The Wasteland) and Shahram Mokri (Careless Crime), winner of the Horizon Special Prize in 2013, Palestinian directors Arab and Tarzan Nasser (Gaza mon amour [+lire aussi :
critique
bande-annonce
fiche film
]
), Mexican director Yulene Olaizola (Tragic Jungle [+lire aussi :
critique
bande-annonce
fiche film
]
), and Kazak filmmaker Adilkhan Yerzhanov (Yellow Cat [+lire aussi :
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bande-annonce
fiche film
]
). The first works by Greek director Christos Nikou (Apples [+lire aussi :
critique
bande-annonce
interview : Christos Nikou
fiche film
]
, opening film of the Horizons section) and Moroccan director Ismaël El Iraki (Zanka Contact [+lire aussi :
critique
fiche film
]
). Another Out of Competition film, Princesse Europe [+lire aussi :
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bande-annonce
fiche film
]
by French director Camille Lotteau, has also been selected.

The Sala Web also presents two new films from the Biennale College - Cinema, the training lab for the development and production of micro-budget feature films created by the Biennale in 2012. This year, the Biennale College titles are The Art of Return [+lire aussi :
critique
bande-annonce
interview : Pedro Collantes
fiche film
]
by Pedro Collantes (Spain), which tells the story of four different encounters, each a few minutes before the death of someone and representing the last human interaction of one of the characters before leaving this world, and Fucking with Nobody [+lire aussi :
critique
bande-annonce
interview : Hannaleena Hauru
fiche film
]
by Hannaleena Hauru (Finland), about the lives of 5 characters looking to enter the Finnish cinema industry and getting involved in a false wedding plan. The projections, on behalf of the Festival, will be held on the protected website operated by Festival Scope and, solely for people geolocated on the Italian territory, on MYmovies.it and Repubblica.it.

The selected films:

Out of Competition

Molecole [+lire aussi :
critique
bande-annonce
interview : Andrea Segre
fiche film
]
- Andrea Segre (Italy)
The Truth about La Dolce Vita [+lire aussi :
critique
bande-annonce
interview : Giuseppe Pedersoli
fiche film
]
- Giuseppe Pedersoli (Italy)
Princesse Europe [+lire aussi :
critique
bande-annonce
fiche film
]
- Camille Lotteau (France)

Orizzonti

Apples [+lire aussi :
critique
bande-annonce
interview : Christos Nikou
fiche film
]
- Christos Nikou (Greece/Poland/Slovenia)
The Wasteland - Ahmad Bahrami (Iran)
Genus Pan - Lav Diaz (Philippines)
Zanka Contact [+lire aussi :
critique
fiche film
]
- Ismaël El Iraki (France/Morocco/Belgium)
Guerra e pace [+lire aussi :
critique
bande-annonce
fiche film
]
- Martina Parenti, Massimo D’Anolfi (Italy/Switzerland)
Careless Crime - Shahram Mokri (Iran)
Gaza mon amour [+lire aussi :
critique
bande-annonce
fiche film
]
- Tarzan and Arab Nasser (Palestine/France/Germany/Portugal/Qatar)
Tragic Jungle [+lire aussi :
critique
bande-annonce
fiche film
]
- Yulene Olaizola (Messico/Francia/Colombia)
Nowhere Special [+lire aussi :
critique
bande-annonce
interview : Uberto Pasolini
fiche film
]
- Uberto Pasolini (Italy/Romania/UK)
Yellow Cat [+lire aussi :
critique
bande-annonce
fiche film
]
- Adilkhan Yerzhanov (Kazakhstan/France)

Biennale College – Cinema

The Art of Return [+lire aussi :
critique
bande-annonce
interview : Pedro Collantes
fiche film
]
- Pedro Collantes (Spain)
Fucking with Nobody [+lire aussi :
critique
bande-annonce
interview : Hannaleena Hauru
fiche film
]
- Hannaleena Hauru (Finland)

(Traduit de l'italien)

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