Following the success of last year’s inaugural edition (read more here), the Spanish Academy of Motion Picture Arts and Sciences — led by Mariano Barroso — launched the second edition of its Residences programme on Monday, 5 October. The initiative, coordinated by Inés Enciso, is designed to offer intensive coaching to a talented cohort of creative filmmakers. Due to the current public health situation, this year’s edition will adopt a hybrid format, with some aspects moved online. The programme will continue until July 2021, during which time the selected participants will work on their projects with support and guidance from some of Spain’s most illustrious directors, including Isabel Coixet, Juan Cavestany, Belén Funes, Manuel Martín Cuenca, Víctor García León, Montxo Armendáriz, Carla Simón and Anna R. Costa.

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A total of 931 entries were received for this year’s competition, both from Spain and from all over the world. Just 20 filmmakers were selected for the programme: ten women and ten men, eighteen from Spain and two from Cuba. Among the selected projects are the second feature by Pilar Palomero, entitled La maternal (Palermo is already an award-winning director, having scooped the Best Spanish Film award for Schoolgirls [+lire aussi :
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interview : Pilar Palomero
fiche film] in Malaga); a new film by Gabriel Azorín — Last Night I Conquered the City of Thebes — following his début documentary, Los mutantes [+lire aussi :
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fiche film]; screenwriter Lola Mayo (a frequent collaborator of Javier Rebollo, having written the screenplays for The Dead Man and Being Happy [+lire aussi :
critique
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fiche film] and Woman Without Piano [+lire aussi :
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interview : Javier Rebollo, réalisateu…
fiche film]), who submitted Libertad, igualdad, fraternidad; César Esteban Alenda, who will be working on Waka Waka after teaming up with his brother José on Sin fin [+lire aussi :
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fiche film]; the peerless Ion de Sosa with Balearic, the successor to his genre-defying first film Androids Dream [+lire aussi :
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fiche film]; Patricia Pérez (co-director of the documentary In a Whisper [+lire aussi :
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interview : Patricia Pérez et Heidi Ha…
fiche film]), with La extranjera; actress Celia de Molina with No es universal; and Irene Moray, whose short film Watermelon Juice was selected for various festivals (from Berlin to Malaga, plus a nomination for the European Film Academy Awards), and is now hard at work on La belleza.

At the opening ceremony on Monday 5 October, the Academy’s president, Mariano Barroso, extended his thanks to the Ayuntamiento de Madrid for its support of this second edition, “born of the need that all film makers feel to carve out a special place in which to realise our projects and our dreams.” This year, the programme has devised a hybrid format combining online activities and mentoring with in-person events, in order to ensure everyone’s safety in light of the current pandemic.

The full list of selected projects is as follows:

San Dai Shi Guang (Three Generations) – Jiajie Yu Yan 

La maternal – Pilar Palomero 

Celestina 2020 – Tina Olivares

Libertad, igualdad, fraternidad – Lola Mayo

Last Night I Conquered the City of Thebes – Gabriel Azorín Belda 

Waka Waka – César Esteban Alenda

Cariño, me he follado a Bunbury – Teresa Bellón Sánchez de la Blanca

Los vagabundos – Jorge Cantos 

Yo no moriré de amor – Marta Matute García 

Balearic – Ion de Sosa

El viaje de Salazar – Léster Álvarez Meno (Cuba)

La belleza – Irene Moray 

La bola de cristal – Edgar Burgos

Operación Viridiana – Guillermo Chapa 

Lejos de aquí. La verdadera historia de Eloy de la Iglesia y José Manzano – Eduardo Fuembuena Loscertales 

Los vigilantes del sueño – Iker Azkoitia 

No es universal – Celia de Molina Díaz 

La memoria de los árboles – Maite Vitoria Daeneris 

Y sin embargo, te quiero – Bárbara Mateos García 

La extranjera – Patricia Pérez Fernández (Cuba)