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BLACK NIGHTS 2020 Compétition Premiers films

Le Festival Black Nights de Tallinn annonce le programme de sa compétition Premiers longs-métrages

par 

- Dans cette section en particulier, le festival estonien, qui aura droit à une édition hybride, a sélectionné 18 films, dont dix feront là leur première mondiale

Le Festival Black Nights de Tallinn annonce le programme de sa compétition Premiers longs-métrages
As Far as I Know de Nándor Lörincz et Bálint Nagy

Cet article est disponible en anglais.

Ten world, seven international and one European premiere will make it into the First Feature Competition at the Tallinn Black Nights Film Festival (PÖFF) this year. In addition, three features will be shown out of competition, including Evi Romen’s Why Not You [+lire aussi :
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, recently crowned at Zurich, Nacho Álvarez’s My Heart Goes Boom! [+lire aussi :
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bande-annonce
interview : Nacho Álvarez
fiche film
]
and Joe Marcantonio’s Kindred [+lire aussi :
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fiche film
]
. “It’s almost been said too many times that this is a challenging time for the film industry,” noticed festival director and head of programme Tiina Lokk. “It’s hugely reassuring that we can still present this selection of debut features this year: in cinemas in Estonia and also online. It’s a powerful, challenging and diverse collection, representing everything vital, fresh and revelatory in cinema. When the industry recovers, as it surely will, it will be filmmakers like these who carry the torch forward.”

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Hot docs EFP inside

Starting with the world premieres, Eugen Jebeleanu’s Poppy Field [+lire aussi :
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interview : Eugen Jebeleanu
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, shot on 16 mm film, will explore protest, religion, identity and more, as a gay street cop struggles to balance his prosaic professional duties and personal politics. In Longing Souls, Diana Montenegro will look at the world of women while delivering a coming-of-age drama, and with As Far as I Know [+lire aussi :
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, Hungarian directors Nándor Lörincz and Bálint Nagy have, according to the festival, “created a real brain-worm: a morally complex narrative to think and rethink about, lingering long in the audience’s minds”.

The Translator [+lire aussi :
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interview : Rana Kazkaz et Anas Khalaf
fiche film
]
by Rana Kazkaz and Anas Khalaf will also be shown to the audience for the very first time, alongside Model Olimpia [+lire aussi :
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by Frédéric Hambalek. Great Happiness, set in modern-day China and directed by Wang Yiao, is an ensemble piece following three friends, while Sententia by Dmitry Rudakov is a dramatisation of the end of Russian poet and Gulag survivor Varlam Shalamov’s life. Rounding off the world premieres, Karnawal [+lire aussi :
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by Juan Pablo Félix focuses on the Malambo dance culture, Kærup Hjort's The Penultimate delivers some black comedy, and Tailor [+lire aussi :
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interview : Sonia Liza Kenterman
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]
by Sonia Liza Kenterman is “a quietly propulsive tale that doesn’t necessarily reveal all of its secrets: a perfect fit for these times of change, challenge and reinvention”.

Already shown in Finland, Goodbye Soviet Union [+lire aussi :
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interview : Lauri Randla
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by Estonian-born Lauri Randla piles culture clash upon culture clash, and in Ali Derakhshandeh’s The Enemies, hairdressing, nasty letters from neighbours and lots of cats will come together, at last. Finally, Poland's 25 Years of Innocence. The Case of Tomek Komenda [+lire aussi :
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by Jan Holoubek, which has been generating headlines ever since its local premiere, will show the man accused of a crime he claims he didn't commit. “It seems to me that this film is universal and that the story it contains is understandable everywhere. Moreover, such stories, unfortunately, happen everywhere,” director Holoubek told Cineuropa about the real-life case that inspired the film.

In Madly in Life [+lire aussi :
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interview : Raphaël Balboni & Ann Sirot
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by Ann Sirot and Raphaël Balboni, a couple's plans come to a halt once the man's elderly mother begins showing signs of dementia, and Bae Jong-dae's Black Light sees two women struggle through the stages of grief in the aftermath of a car accident. Should the Wind Drop [+lire aussi :
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interview : Nora Martirosyan
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by Nora Martirosyan, granted a Cannes label earlier this year, charts the complexities involved in approving the opening of an international airport, and The Flood by Victoria Wharfe McIntyre, a revenge-thriller, will show Australia at its wildest. Also interesting is Fortuna – The Girl and the Giants [+lire aussi :
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interview : Nicolangelo Gelormini
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]
, where Nicolangelo Gelormini talks about a six-year-old with magnificent hair and a loose relationship with reality. Described as a “giallo with kids”, it will have its international premiere at PÖFF.

The complete line-up of the festival will be announced on 6 November.

You can find the full line-up of the First Feature Competition here:

First Feature Competition

The Translator [+lire aussi :
critique
bande-annonce
interview : Rana Kazkaz et Anas Khalaf
fiche film
]
Rana Kazkaz and Anas Khalaf (France/Switzerland/Syria/Belgium/Qatar/USA)
Poppy Field [+lire aussi :
critique
bande-annonce
interview : Eugen Jebeleanu
fiche film
]
Eugen Jebeleanu (Romania)
Longing SoulsDiana Montenegro (Colombia)
As Far as I Know [+lire aussi :
critique
bande-annonce
fiche film
]
Nándor Lörincz and Bálint Nagy (Hungary)
Model Olimpia [+lire aussi :
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bande-annonce
fiche film
]
Frédéric Hambalek (Germany)
Great HappinessWang Yiao (China)
SententiaDmitry Rudakov (Russia)
Karnawal [+lire aussi :
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bande-annonce
fiche film
]
Juan Pablo Félix (Argentina/Brazil/Chile/Mexico/Norway)
The Penultimate [+lire aussi :
critique
bande-annonce
interview : Jonas Kærup Hjort
fiche film
]
Jonas Kærup Hjort (Denmark)
Tailor [+lire aussi :
critique
bande-annonce
interview : Sonia Liza Kenterman
fiche film
]
Sonia Liza Kenterman (Greece/Germany/Belgium)
Goodbye Soviet Union [+lire aussi :
critique
bande-annonce
interview : Lauri Randla
fiche film
]
Lauri Randla (Finland/Estonia)
The EnemiesAli Derakhshandeh (Iran)
25 Years of Innocence. The Case of Tomek Komenda [+lire aussi :
critique
bande-annonce
fiche film
]
– Jan Holoubek (Poland)
Madly in Life [+lire aussi :
critique
bande-annonce
interview : Raphaël Balboni & Ann Sirot
fiche film
]
Ann Sirot and Raphaël Balboni (Belgium)
Black LightBae Jong-dae (South Korea)
The FloodVictoria Wharfe McIntyre (Australia)
Fortuna – The Girl and the Giants [+lire aussi :
critique
bande-annonce
interview : Nicolangelo Gelormini
fiche film
]
Nicolangelo Gelormini (Italy)
Should the Wind Drop [+lire aussi :
critique
bande-annonce
interview : Nora Martirosyan
fiche film
]
Nora Martirosyan (France/Belgium/Armenia)

Out of Competition

Why Not You [+lire aussi :
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fiche film
]
Evi Romen (Austria)
My Heart Goes Boom! [+lire aussi :
critique
bande-annonce
interview : Nacho Álvarez
fiche film
]
Nacho Álvarez (Spain/Italy)
Kindred [+lire aussi :
critique
bande-annonce
fiche film
]
Joe Marcantonio (UK)

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(Traduit de l'anglais)

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