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BOX OFFICE Norvège

Le box-office norvégien pour 2020 enregistre le score historique de 35,6% de parts de marché pour les productions nationales

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- En revanche, les entrées ont chuté de 57,1%, selon les chiffres publiés par l'association Film & Kino

Le box-office norvégien pour 2020 enregistre le score historique de 35,6% de parts de marché pour les productions nationales
Asphalt Burning de Hallvard Bræin

Cet article est disponible en anglais.

The Oslo-based cinema association Film & Kino has published the figures for the country’s 2020 box office. Despite a significant drop in cinemagoing (-57.1% admissions), caused by the shutdown of the cinemas between March and May and the newly enforced restrictions throughout the year, domestic titles secured an historic 35.6% market share, beating the previous record figure from 2018 (25.1%).

Overall, the 2020 national box office totalled 4.8 million admissions (as against 11.3 million in 2019) and made a profit of 557,743,079 Norwegian crowns (approximately €53,427,000). In detail, the highest-grossing title of the year was Hallvard Bræin’s Asphalt Burning (285,904 admissions), distributed by the Norwegian division of SF Studios and released in October. Other successful domestic productions include Gunhild Enger and Rune SpaansTwo Buddies and a Badger 2 - The Great Big Beast (214,419 admissions, ranked third), Johanne Helgeland’s The Crossing [+lire aussi :
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(139,708 admissions, ranked seventh), Pål Øie’s The Tunnel [+lire aussi :
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(135,736 admissions, ranked eighth) and Tove Undheim’s Twigson and the Sea Monster (129,950 admissions, ranked ninth).

(L'article continue plus bas - Inf. publicitaire)

Finally, the foreign productions attracting the highest number of viewers were Jennifer Lee and Chris Buck’s Frozen 2 (283,403 admissions, ranked second), Sam Mendes1917 [+lire aussi :
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(191,376 admissions, ranked fourth), Christopher Nolan’s Tenet [+lire aussi :
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(188,416 admissions, ranked fifth), Bong Joon-ho’s Parasite (150,748 admissions, ranked sixth), and Bilall Fallah and Adil El Arbi’s Bad Boys for Life (117,254 admissions, ranked tenth).

(L'article continue plus bas - Inf. publicitaire)

(Traduit de l'anglais)

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