We are by no means out of the pandemic yet, but the 74th Cannes Film Festival (6-17 July) is set to be the great physical restart for the film industry after a year of primarily online events. The Match Factory, run by Michael Weber, is set to have its biggest festival to date, with 14 films spread across the whole selection and others available in the concurrent Marché du Film (6-15 July). The company will also be bringing a similar-sized team to the festival as it did to prior editions, and all of the filmmakers selected are planning to attend, barring travel restrictions.

Three Floors [+lire aussi :
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Two East Asian greats constitute The Match Factory’s other two competition films. They are Apichatpong Weerasethakul’s Memoria [+lire aussi :
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In the Official Selection, we also have Great Freedom [+lire aussi :
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fiche film], a story of homosexual discrimination in post-war Germany by Austrian director Sebastian Meise. Franz Rogowski, who has recently appeared in sundry great works in German cinema, leads the cast. Joining it in Un Certain Regard are Let It Be Morning [+lire aussi :
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Rounding off its Official Selection films are Evolution [+lire aussi :
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interview : Kornél Mundruczó et Kata W…
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Simón Mesa Soto’s Amparo [+lire aussi :
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interview : João Nunes Monteiro
interview : Maureen Fazendeiro et Migu…
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Furthermore, the company will continue proffering its Berlin titles from earlier in the year, along with upcoming films by Lukas Dhont and Golden Lion winner Lorenzo Vigas. With Filmfest München getting under way next week, Dietrich Brüggemann’s Nö [+lire aussi :
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