For the very first time, Roman sales agent True Colours is presenting a title in the running for the Palme d’Or at the Cannes Film Festival, namely Nostalgia [+lire aussi :
critique
bande-annonce
interview : Mario Martone
interview : Pierfrancesco Favino
fiche film] by Mario Martone. A co-production between Italy and France, written by the Neapolitan director alongside Ippolita Di Majo and produced by Medusa Film, Picomedia, Mad Entertainment and Rosebud Entertainment Pictures, Nostalgia follows the adventures of Felice (played by Pierfrancesco Favino), who returns to Rione Sanità after 40 years spent abroad and rediscovers the places and codes of his neighbourhood, while wrestling with a past which is consuming him. Distributed by Medusa Film in Italy and by Arp Sélection in France, the cast is bolstered by Francesco Di Leva, Tommaso Ragno and Sofia Essaïdi.

(L'article continue plus bas - Inf. publicitaire)

In addition to this title, True Colours will be bringing an ample catalogue of Italian and European films to the Marché du Film for screenings. The first of these is the Dutch LGBT drama El Houb – The Love, which is set in Rotterdam’s Moroccan community and is produced by BIND and directed by Shariff Nasr.

Then there’s Diario di spezie [+lire aussi :
interview : Massimo Donati
fiche film], a dark thriller by Massimo Donati set in the world of art and haute cuisine and toplined by Lorenzo Richelmy, Fabrizio Ferracane, Fabrizio Rongione and Galatea Bellugi. The movie is produced by Master Five Cinematografica together with RAI Cinema, in collaboration with Rodeo Drive.

Three Italian comedies produced by Lucky Red also form part of the sales agent’s line-up this year, namely the reboot of Altrimenti ci arrabbiamo [+lire aussi :
bande-annonce
fiche film], alongside Con chi viaggi (both directed by YouNuts!) and Marco Martani’s She’s The One [+lire aussi :
bande-annonce
fiche film].

True Colours’ offering also includes several other films previously presented in premieres in Berlin: Superheroes [+lire aussi :
bande-annonce
fiche film] by Paolo Genovese, La befana vien di notte 2 – Le origini [+lire aussi :
bande-annonce
fiche film] by Paola Randi and L’Arminuta [+lire aussi :
critique
bande-annonce
interview : Giuseppe Bonito
fiche film] by Giuseppe Bonito. Joining these works are a number of titles earmarked for market screenings, namely Trafficante di virus [+lire aussi :
critique
bande-annonce
fiche film] by Costanza Quatriglio and two documentaries (C’è un soffio di vita soltanto by Matteo Botrugno and Daniele Coluccini and No tenemos miedo by Manuel Franceschini).

Two projects recently announced by the sales agency will also be gracing the event: an Italian-Latvian co-production overseen by Fenixfilm and Albolina Film and directed by Linda Olte, entitled Sisters [+lire aussi :
critique
bande-annonce
fiche film], and Delta [+lire aussi :
critique
bande-annonce
fiche film], Michele Vannucci’s second work after I Was A Dreamer [+lire aussi :
critique
bande-annonce
interview : Alessandro Borghi
interview : Michele Vannucci
fiche film], toplined by Alessandro Borghi and Luigi Lo Cascio (and produced by Groenlandia, Kino Produzioni and RAI Cinema). The other three previously announced feature films travelling to the market, meanwhile, are Italian works The First Day of My Life [+lire aussi :
critique
bande-annonce
fiche film] by Paolo Genovese and Prophets [+lire aussi :
critique
bande-annonce
fiche film] by Alessio Cremonini (after On My Skin [+lire aussi :
critique
bande-annonce
fiche film]) and the Spanish-Argentine co-production Let the Dance Begin [+lire aussi :
bande-annonce
fiche film], directed by Marina Seresesky.