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KARLOVY VARY 2022

Des films de SF dystopiques et des essais documentaires en sélection officielle au 56e Festival de Karlovy Vary

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- L’événement, le plus important de République tchèque dédié au cinéma, va présenter un assortiment de produits locaux réalisés par la plus jeune génération des réalisateurs du pays

Des films de SF dystopiques et des essais documentaires en sélection officielle au 56e Festival de Karlovy Vary
The Ordinaries de Sophie Linnenbaum

Cet article est disponible en anglais.

The 56th edition of the Karlovy Vary International Film Festival (1-9 July 2022) has unveiled its competition sections. Thirteen of the official selection titles are directed by returning filmmakers. “From among the 1,500 films that were submitted this year, we have chosen 33 brand-new works of cinema that offer an accurate reflection of our taste – a taste derived from a belief in a meaningful edginess and the championing of new means of cinematic expression that, nonetheless, do not stand in opposition to the audience’s receptiveness or inclinations,” says the festival’s artistic director, Karel Och. The line-up revealed so far entails 27 world, three international and three European premieres of movies from five continents. Nine films across the three sections unveiled are helmed by debuting directors.

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Hot docs EFP inside

Two domestic filmmakers will bow in the Crystal Globe Competition: a variety of non-monogamous forms of intimacy will be explored in Tomasz Wiński’s debut, Borders of Love [+lire aussi :
critique
bande-annonce
interview : Tomasz Wiński
fiche film
]
, and the period drama The Word [+lire aussi :
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bande-annonce
interview : Beata Parkanová
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]
 by Beata Parkanová, who is returning to the festival with her sophomore feature. Kristina Buožytė and Bruno Samper will introduce their co-directed effort, a dystopian sci-fi called Vesper [+lire aussi :
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bande-annonce
interview : Kristina Buožytė et Bruno …
fiche film
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; Christos Passalis will world-premiere his melancholic love story Silence 6-9 [+lire aussi :
critique
bande-annonce
interview : Christos Passalis
fiche film
]
; the directorial collective consisting of Ilian Metev, Ivan Chertov and Zlatina Teneva is bringing along an observational documentary on the antiquated Bulgarian healthcare system, A Provincial Hospital [+lire aussi :
critique
bande-annonce
interview : Ilian Metev, Ivan Chertov …
fiche film
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; and the acerbic Polish comedy Fucking Bornholm [+lire aussi :
critique
bande-annonce
interview : Anna Kazejak
fiche film
]
by Anna Kazejak will have its international premiere in the main competition.

The upcoming edition of KVIFF is set to inaugurate its new Proxima competition section (see the news). This replaces the East of the West Competition, which had primarily been focused on Central and Eastern European cinema. The festival organisers call the new competition “an inclusive space for pictures by young filmmakers and renowned auteurs alike, presenting bold works that defy categorisation”, with no geographical restrictions and “open to filmmakers from around the world”. Proxima will welcome rising domestic talent Šimon Holý, who debuted at the festival last year with Mirrors in the Dark [+lire aussi :
critique
bande-annonce
interview : Šimon Holý
fiche film
]
. Holý returns with his sophomore feature, And Then There Was Love… [+lire aussi :
critique
bande-annonce
interview : Šimon Holý
fiche film
]
, which continues with the thematic thread of existential traumas seen from a female perspective. Polish director Tomas Wasilewski will unveil his latest work, the unsettling family drama Fools [+lire aussi :
critique
bande-annonce
interview : Tomasz Wasilewski
fiche film
]
, while Andreas Horvath will offer a look into a zoo during lockdown in the aptly titled Zoo Lock Down, and David Kapac and Andrija Mardešić’s effort The Uncle promises a Hanekenian spin on a visit from an uncle in late-1980s Yugoslavia. Proxima will also introduce the latest work by Adéla Komrzý, who also presented her previous, highly acclaimed documentary Intensive Life Unit [+lire aussi :
bande-annonce
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at last year’s festival. This time, Komrzý has joined forces with Tomáš Bojar for an observational documentary exploring an art institution, ART Talent Show.

The Special Screenings section will offer more of a local flavour, introducing the sophomore feature by emerging talent Adam Sedlák, (following his debut, Domestique [+lire aussi :
critique
bande-annonce
interview : Adam Sedlák
fiche film
]
), a dramedy called BANGER., set in the drug and rap underbelly. Meanwhile, Štěpán FOK Vodrážka will back him up with a portrait of a trio of famous Czech rappers in PSH Neverending Story, and venerated actor-turned-director Miroslav Krobot will premiere his latest feature film, Big Opening, a bittersweet comedy about an actor making his debut as a director. The sci-fi flick Rubikon [+lire aussi :
critique
interview : Leni Lauritsch
fiche film
]
by Magdalena Lauritsch will focus on the Earth in 2096 as it runs out of oxygen, while Goran Stolevski will bow with a horror film based on Macedonian mythology and folklore, You Won’t Be Alone [+lire aussi :
critique
fiche film
]
, and Swiss filmmaker Tizian Büchi’s magical-realist observational documentary Like an Island [+lire aussi :
critique
interview : Tizian Büchi
fiche film
]
will have its international premiere in the Special Screenings sidebar.

KVIFF will also be honouring its long-time artistic director Eva Zaoralová, who passed away in March 2022, with an exhibition of photographs documenting “her relationship to cinema, her activities during the management of the Karlovy Vary International Film Festival, and her unique relationship with the festival’s president, Jiří Bartoška”, while also screening the film that significantly influenced her future career, Federico Fellini’s La Strada.

Here is the full line-up of the competition sections:

Crystal Globe Competition

America [+lire aussi :
critique
bande-annonce
interview : Ofir Raul Grazier
fiche film
]
Ofir Raul Graizer (Israel/Germany/Czech Republic)
A Room of My Own [+lire aussi :
critique
bande-annonce
interview : Ioseb “Soso” Bliadze et Ta…
fiche film
]
Ioseb “Soso” Bliadze (Georgia/Germany)
A Provincial Hospital [+lire aussi :
critique
bande-annonce
interview : Ilian Metev, Ivan Chertov …
fiche film
]
Ilian Metev, Ivan Chertov, Zlatina Teneva (Bulgaria/Germany)
Fucking Bornholm [+lire aussi :
critique
bande-annonce
interview : Anna Kazejak
fiche film
]
Anna Kazejak (Poland)
Borders of Love [+lire aussi :
critique
bande-annonce
interview : Tomasz Wiński
fiche film
]
- Tomasz Wiński (Czech Republic/Poland)
Silence 6-9 [+lire aussi :
critique
bande-annonce
interview : Christos Passalis
fiche film
]
Christos Passalis (Greece)
The Ordinaries [+lire aussi :
critique
bande-annonce
interview : Sophie Linnenbaum
fiche film
]
Sophie Linnenbaum (Germany)
The Word [+lire aussi :
critique
bande-annonce
interview : Beata Parkanová
fiche film
]
Beata Parkanová (Czech Republic/Slovakia/Poland)
Summer with HopeSadaf Foroughi (Canada/Iran)
You Have to Come and See It [+lire aussi :
critique
bande-annonce
interview : Jonás Trueba
fiche film
]
Jonás Trueba (Spain)
A Far ShoreMasaaki Kudo (Japan)
Vesper [+lire aussi :
critique
bande-annonce
interview : Kristina Buožytė et Bruno …
fiche film
]
- Kristina Buožytė, Bruno Samper (Lithuania/France/Belgium)

Proxima Competition

And Then There Was Love… [+lire aussi :
critique
bande-annonce
interview : Šimon Holý
fiche film
]
- Šimon Holý (Czech Republic)
HorseplayMarco Berger (Argentina)
In Broad DaylightEmmanuel Tardif (Canada)
Like a Fish on the MoonDornaz Hajiha (Iran)
Fools [+lire aussi :
critique
bande-annonce
interview : Tomasz Wasilewski
fiche film
]
Tomasz Wasilewski (Poland/Romania/Germany)
Another Spring [+lire aussi :
critique
bande-annonce
interview : Mladen Kovačević
fiche film
]
- Mladen Kovačević (Serbia/Qatar)
Pietá [+lire aussi :
critique
bande-annonce
fiche film
]
Eduardo Casanova (Spain/Argentina)
Ramona [+lire aussi :
critique
bande-annonce
interview : Andrea Bagney
fiche film
]
Andrea Bagney (Spain)
The Uncle [+lire aussi :
critique
bande-annonce
interview : Andrija Mardešić et David …
fiche film
]
- David Kapac, Andrija Mardešić (Croatia/Serbia)
TinnitusGregorio Graziosi (Brazil)
Art Talent Show [+lire aussi :
critique
bande-annonce
interview : Adéla Komrzý et Tomás Bojar
fiche film
]
Tomáš Bojar, Adéla Komrzý (Czech Republic)
Zoo Lock Down [+lire aussi :
critique
interview : Andreas Horvath
fiche film
]
Andreas Horvath (Austria)

Special Screenings

BANGER. [+lire aussi :
critique
bande-annonce
interview : Adam Sedlák
fiche film
]
Adam Sedlák (Czech Republic)
June ZeroJake Paltrow (USA/Israel)
The Killing of a Journalist [+lire aussi :
critique
interview : Matt Sarnecki
fiche film
]
- Matt Sarnecki (Denmark/USA/Czech Republic)
My Father, The Prince [+lire aussi :
interview : Lukas Sturm et Lila Schwar…
fiche film
]
- Lukas Sturm, Lila Schwarzenberg (Austria/Czech Republic)
PSH Neverending StoryŠtěpán FOK Vodrážka (Czech Republic)
RubikonMagdalena Lauritsch (Austria)
Big OpeningMiroslav Krobot (Czech Republic)
You Won’t Be Alone [+lire aussi :
critique
fiche film
]
Goran Stolevski (Austria/UK/Serbia)
Like an Island [+lire aussi :
critique
interview : Tizian Büchi
fiche film
]
- Tizian Büchi (Switzerland)

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(Traduit de l'anglais)

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