With an Official Section of 33 feature films, divided into three parts – Retueyos, for first-time filmmakers; Albar, which includes known filmmakers; and Tierres en Trance, with directors from Ibero-America –, the 60th edition of the Gijón International Film Festival opens on Friday 11 November with the Spanish premiere of Armageddon Time, by US director James Gray (a film competing in Albar), and closes on 19 Saturday with the French-Belgium production The Green Perfume [+lire aussi :
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fiche film], by Nicolas Pariser (in Retueyos, out of competition).

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Two world premieres also feature in the Retueyos section: Mission to Mars [+lire aussi :
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fiche film], the award-winning debut at Venice's Orizzonti by Polish director Damian Kocur. Metronom [+lire aussi :
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interview : Alexandru Belc
fiche film] by Alexandru Belc takes us back to Romania in 1972. With Ordinary Failures [+lire aussi :
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fiche film], the Hungarian-Romanian artist Cristina Grosan focuses on the lives of three women who find their salvation at the end of the world. In Monica [+lire aussi :
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interview : Andrea Pallaoro
fiche film], the Italian director Andrea Pallaoro portrays a woman who returns home to care for her dying mother, and in Pink Moon [+lire aussi :
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interview : Floor van der Meulen
fiche film], the Dutch Floor van der Meulen addresses euthanasia. See You Friday Robinson [+lire aussi :
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fiche film], by the French-based Iranian Mitra Farahani will be screened out of competition in the section, which is completed by the Palestinian Jumana Manna with Foragers, and US filmmakers Daniel Goldhaber (with How to Blow Up a Pipeline), Michael Morris (with To Leslie) and Owen Kline (with Funny Pages).

In Albar, the FICX will host the world premiere of Clorindo Testa, by the Argentinian Mariano Llinás. Alongside this film, the German Isabelle Stever presents Grand Jeté [+lire aussi :
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interview : Isabelle Stever
fiche film], on the taboo of incest, the Austrian Ulrich Seidl brings Rimini [+lire aussi :
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interview : Ulrich Seidl
fiche film] his approach to (dark) comedy, while the master Werner Herzog screens The Fire Within: Requiem for Katia and Maurice Krafft [+lire aussi :
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fiche film], a documentary that plays with the personal archives of some passionate volcanologists engulfed by Mount Unzen. French Emmanuel Mouret directs Diary of a Fleeting Affair [+lire aussi :
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interview : Emmanuel Mouret
fiche film], and Russian Kirill Serebrennikov, brings the Russian-European co-production Tchaikovsky’s Wife [+lire aussi :
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fiche film], while out of competition SERVIAM – I Will Serve [+lire aussi :
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interview : Ruth Mader
fiche film], by Austrian Ruth Mader, a mystical thriller which received acclaim at Locarno. The section is completed with Tales of the Purple House [+lire aussi :
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fiche film], in which the Iraqi-French Abbas Fahdel and the painter Nour Ballouk explore the complexity of Lebanon on the brink of the abyss, The Novelist's Film, by the genius Hong Sang-soo, and That Kind of Summer, by the Canadian Denis Côté.

Cinema from Spain, Portugal and South America are represented in the Tierres en Trance section. Promoted by the previous FICXPro awards are the medium-length film Puerperio, by the Spanish Pilar Álvarez, and Sobre las nubes, by the Argentinean María Aparicio. And in the documentary Al otro lado del mar, which has its world premiere here, Eloy Domínguez Serén (Hamada [+lire aussi :
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interview : Eloy Domínguez Serén
fiche film]) and Samuel Moreno Álvarez (El sheriff) film themselves trapped in their homes. Hilos, by the Asturian Tito Montero, and Tetuán, by the Basque Iratxe Fresneda will also have their world premieres. The section is completed by the European co-productions Anhell69 [+lire aussi :
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interview : Theo Montoya
fiche film], the spectacular debut feature film by the Colombian Theo Montoya, EAMI [+lire aussi :
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You can view the rest of the festival programme here.