email print share on Facebook share on Twitter share on LinkedIn share on reddit pin on Pinterest

OSCARS 2023

À l'Ouest, rien de nouveau rafle quatre trophées aux Oscars

par 

- Le film d’Edward Berger est le seul long européen qui se soit illustré à cette cérémonie, dominée par la production américaine Everything Everywhere All at Once

À l'Ouest, rien de nouveau rafle quatre trophées aux Oscars
À l'Ouest, rien de nouveau d'Edward Berger

Cet article est disponible en anglais.

The 95th Academy Awards have put the cherry on top of a US awards season that has, for the most part, been screaming Everything Everywhere All at Once at the top of its lungs. The multiverse-themed film by directorial duo Dan Kwan and Daniel Scheinert swept the awards by receiving a total of seven statuettes, leaving little room for any of the other competitors.

The only title that managed to stand its ground against the A24 juggernaut was a European film, and a Netflix production. Edward Berger’s All Quiet on the Western Front [+lire aussi :
critique
bande-annonce
interview : Edward Berger
fiche film
]
, an adaptation of the Erich Maria Remarque novel, which had previously been made into a Best Picture Oscar-winning movie in 1930, became one of the most-awarded films not in the English language in the Oscars' history, behind only Michel HazanaviciusThe Artist [+lire aussi :
critique
bande-annonce
interview : Michel Hazanavicius
fiche film
]
in 2012 and matching Bong Joon-ho’s Parasite in 2020. And not only that: it also became the highest-scoring Netflix original production, surpassing the number of statuettes bestowed upon Alfonso Cuarón’s Roma in 2019. As widely expected after it earned nine nominations (see the news) and it triumphed at the BAFTAs (see the news), All Quiet on the Western Front won in several categories, including Best Cinematography (for James Friend), Best Original Score (for Volker Bertelmann), Best Production Design and, lastly, Best International Film, winning out over the favourites back in the early phases of the race, Lukas Dhont’s Close [+lire aussi :
critique
bande-annonce
interview : Eden Dambrine
interview : Lukas Dhont
interview : Lukas Dhont
fiche film
]
and Santiago Mitre’s Argentina, 1985, as well as Jerzy Skolimowski’s EO [+lire aussi :
critique
bande-annonce
fiche film
]
and Colm Bairéad’s The Quiet Girl [+lire aussi :
critique
bande-annonce
interview : Colm Bairéad
fiche film
]
.

(L'article continue plus bas - Inf. publicitaire)

The only other European winner of the evening was An Irish Goodbye, an Irish-British co-production directed by Tom Berkeley and Ross White, which stood out in the Best Live Action Short category. Following a pair of estranged brothers who reunite following their mother's untimely death in rural Northern Ireland, the short trounced other European competitors, such as Le Pupille by Alice Rohrwacher.

Despite having also received nine nominations, Martin McDonagh’s The Banshees of Inisherin [+lire aussi :
critique
bande-annonce
fiche film
]
didn't manage to bag any awards, losing out to Everything Everywhere All at Once in most of the categories, especially the acting ones, in which the Irish-UK-US co-production had more chances of breaking through, thanks to the work of Colin Farrell, Brendan Gleeson, Barry Keoghan and Kerry Condon. Ruben Östlund’s Palme d’Or winner Triangle of Sadness [+lire aussi :
critique
bande-annonce
interview : Ruben Östlund
interview : Ruben Östlund
fiche film
]
, which had racked up nods in the three main categories, experienced the same fate and went back to Europe with no statuettes at all.

The other European co-productions nominated that went home empty-handed included the documentaries A House Made of Splinters [+lire aussi :
critique
bande-annonce
fiche film
]
by Simon Lereng Wilmont and All That Breathes [+lire aussi :
critique
bande-annonce
interview : Shaunak Sen
fiche film
]
by Shaunak Sen, which lost out to Navalny, directed by Daniel Roher, as well as Oliver HermanusLiving [+lire aussi :
critique
bande-annonce
fiche film
]
and Charlotte WellsAftersun [+lire aussi :
critique
bande-annonce
fiche film
]
, nominated for Paul Mescal’s work.

Here is the full list of winners:

Best Picture
Everything Everywhere All at Once - Dan Kwan, Daniel Scheinert

Best Director
Dan Kwan, Daniel Scheinert - Everything Everywhere All at Once

Best Actress
Michelle Yeoh - Everything Everywhere All at Once

Best Actor
Brendan Fraser - The Whale

Best Supporting Actor
Ke Huy Quan - Everything Everywhere All at Once

Best Supporting Actress
Jamie Lee Curtis - Everything Everywhere All at Once

Best International Feature Film
All Quiet on the Western Front [+lire aussi :
critique
bande-annonce
interview : Edward Berger
fiche film
]
- Edward Berger (USA/Germany)

Best Documentary Feature
Navalny - Daniel Roher

Best Animated Feature
Guillermo del Toro’s Pinocchio - Guillermo del Toro, Mark Gustafson

Best Original Screenplay
Daniel Kwan, Daniel Scheinert - Everything Everywhere All at Once

Best Adapted Screenplay
Sarah Polley - Women Talking

Best Cinematography
James Friend - All Quiet on the Western Front

Best Visual Effects
Avatar: The Way of Water

Best Editing
Everything Everywhere All at Once

Best Production Design
All Quiet on the Western Front

Best Makeup and Hairstyling
The Whale

Best Costume Design
Black Panther: Wakanda Forever

Best Sound
Top Gun: Maverick

Best Original Score
Volker Bertelmann - All Quiet on the Western Front

Best Original Song
Naatu Naatu — Kaala Bhairava, M.M. Keeravani, Rahul Sipligunj (RRR)

Best Live Action Short
An Irish Goodbye - Tom Berkeley, Ross White (Ireland/UK)

Best Documentary Short Subject
The Elephant Whisperers - Kartiki Gonsalves (India)

Best Animated Short
The Boy, the Mole, the Fox and the Horse - Peter Baynton

(L'article continue plus bas - Inf. publicitaire)

(Traduit de l'anglais)

Vous avez aimé cet article ? Abonnez-vous à notre newsletter et recevez plus d'articles comme celui-ci, directement dans votre boîte mail.

Privacy Policy