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FESTIVAL Polonia

Il 43mo Festival del cinema polacco apre i battenti a Gdynia

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- Cold War di Paweł Pawlikowski e Mug di Małgorzata Szumowska sono tra i film in competizione per i Golden Lions, il premio più importante della manifestazione

Il 43mo Festival del cinema polacco apre i battenti a Gdynia
A Hole in the Head di Piotr Subbotko

Questo articolo è disponibile in inglese.

2018 is a very good year for Polish cinema, and the selection of the Polish Film Festival in Gdynia definitely reflects that. For example, the main competition includes films crowned with the Berlinale’s Silver Bear for Best Director (Małgorzata Szumowska’s Mug [+leggi anche:
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intervista: Małgorzata Szumowska
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) and Cannes’ Best Director Award (Paweł Pawlikowski’s Cold War [+leggi anche:
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Q&A: Pawel Pawlikowski
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). The Polish Film Festival, which officially starts today, 17 September, with a gala screening of the Golden Lions contender The Butler [+leggi anche:
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by Filip Bajon, will also showcase eight premieres in the main competition and will include works by helmers of all generations, ranging from debutants, such as Aleksander Pietrzak, to masters like Krzysztof Zanussi.

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Among the most highly anticipated titles are Clergy [+leggi anche:
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intervista: Wojciech Smarzowski
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 by Wojciech SmarzowskiPlaying Hard [+leggi anche:
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by Kinga DębskaThe Mute [+leggi anche:
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 by Bartosz Konopka, Ether [+leggi anche:
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by Krzysztof Zanussi, Autsajder [+leggi anche:
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by Adam SikoraA Hole in the Head [+leggi anche:
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 by Piotr SubbotkoPardon [+leggi anche:
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by Jan Jakub Kolski, Werewolf [+leggi anche:
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intervista: Adrian Panek
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by Adrian Panek and 7 Emotions [+leggi anche:
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by one of Poland’s most unique artistic voices, Marek Koterski.

Other films vying for the Golden Lions were previously screened in Polish cinemas or at national festivals: Julius [+leggi anche:
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by Aleksander Pietrzak, A Cat with a Dog [+leggi anche:
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by Janusz KondratiukOnce Upon a Time in November [+leggi anche:
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intervista: Andrzej Jakimowski
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by Andrzej JakimowskiAgnieszka Smoczyńska’s Fugue [+leggi anche:
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intervista: Agnieszka Smoczyńska
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, and the aforementioned Cold War and Mug.

The other competitive section, Vision Apart, established in 2004 to present more experimental works, sees eight contenders vying for the main award, including movies that were previously shown at Cannes (Another Day of Life [+leggi anche:
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intervista: Raul de la Fuente
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by Damian Nenow and Raúl de la Fuente), Rotterdam (Nina [+leggi anche:
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by Olga ChajdasMy Friend the Polish Girl [+leggi anche:
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by Ewa Banaszkiewicz and Mateusz Dymek) and Karlovy Vary (53 Wars [+leggi anche:
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intervista: Ewa Bukowska
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by Ewa Bukowska). This section is rounded off by Monument [+leggi anche:
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by Jagoda Szelc (whose first film, Tower. A Bright Day [+leggi anche:
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, was part of the 2018 Berlinale Forum), The Day of Chocolate [+leggi anche:
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intervista: Dawid Ogrodnik
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by Jacek BławutLeave Me Not [+leggi anche:
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 by Grzegorz Lewandowski and Windows, Windows by Wojciech Solarz. Gdynia’s programme also boasts a Polish short-film competition and a handful of sidebars, presenting digitally restored films, minority co-productions with Poland and other titles.

The winners will be announced on 22 September.

(L'articolo continua qui sotto - Inf. pubblicitaria)

(Tradotto dall'inglese)

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