email print share on Facebook share on Twitter share on reddit pin on Pinterest

DISTRIBUZIONE Slovacchia / Repubblica Ceca

Film Europe espande la sua strategia di distribuzione e diventa non-stop

di 

- Il principale distributore di film d'essai europei in Slovacchia e Repubblica Ceca ha rinnovato la sua strategia, ma il festival Be2Can rimane il suo appuntamento annuale

Film Europe espande la sua strategia di distribuzione e diventa non-stop
Uno dei cinema che partecipano al festival Be2Can (© archivio Film Europe Media Company)

Questo articolo è disponibile in inglese.

While Film Europe Media Company, a major distributor of European arthouse cinema in Slovakia and the Czech Republic, did much of its shopping up front this year, securing Lászlo Nemes’ latest feature, Sunset [+leggi anche:
recensione
trailer
intervista: László Nemes
scheda film
]
, and Pablo Trapero’s The Quietude [+leggi anche:
trailer
scheda film
]
, which bowed at Venice, and Claire Denis’ highly anticipated High Life [+leggi anche:
recensione
trailer
intervista: Claire Denis
scheda film
]
, the company has also unveiled a shake-up of its general strategy.

(L'articolo continua qui sotto - Inf. pubblicitaria)

Film Europe initially set up its own week-long festival, Be2Can (see the news), held in cinemas across Slovakia and the Czech Republic, in order to introduce its acquisitions. Subsequently, new films found their way onto a whole host of Film Europe’s other outlets, such as VoD, the Film Europe Channel, available in the Netherlands and Belgium, the Festival Channel, accessible in Slovakia and the Czech Republic, and its very own DVD label, as well as partner festivals.

Those will be still used; however, Film Europe is now introducing a new strategy, dubbed Be2Can Nonstop. The week-long Be2Can festival remains the company’s annual fixture, although the “season” will start in June, right after the Cannes Film Festival, and last until the following May, wrapping up shortly before the new edition of Cannes flings open its doors. Film Europe’s CEO, Ivan Hronec, explains, “The Be2Can concept is not changing; we are merely extending its reach.” This change in strategy is another stage in Film Europe’s expansion, after it ceased to focus its scope exclusively on European productions. “Be2Can films should give rise to a variety of responses, diverse trains of thought and perceptions, leading to a sharing of impressions and constant comparisons,” adds Hronec.

The recent line-up of films that the company will be releasing in theatres at the annual Be2Can gathering in September and October comprises 3 Days in Quiberon [+leggi anche:
recensione
trailer
intervista: Emily Atef
scheda film
]
 by Emily AtefThe Prayer [+leggi anche:
recensione
trailer
intervista: Cédric Kahn
scheda film
]
 by Cédric KahnLong Day’s Journey Into Night [+leggi anche:
recensione
trailer
scheda film
]
 by Gan BiErik Poppe’s U - July 22 [+leggi anche:
recensione
trailer
intervista: Erik Poppe
scheda film
]
Christian Petzold’s Transit [+leggi anche:
recensione
trailer
intervista: Christian Petzold
intervista: Franz Rogowski
scheda film
]
Malgorzata Szumowska’s Mug [+leggi anche:
recensione
trailer
intervista: Małgorzata Szumowska
scheda film
]
David Robert Mitchell’s Under the Silver LakeHirokazu Kore-eda’s ShopliftersThomas Stuber’s In the Aisles [+leggi anche:
recensione
trailer
intervista: Franz Rogowski
intervista: Thomas Stuber
scheda film
]
Nadine Labaki’s Capernaum [+leggi anche:
recensione
trailer
scheda film
]
Jean-Luc Godard’s The Image Book [+leggi anche:
recensione
trailer
scheda film
]
Mani Haghighi’s PigEva Husson’s Girls of the Sun [+leggi anche:
recensione
trailer
intervista: Eva Husson
scheda film
]
, Abu Bakr Shawky’s Yomeddine [+leggi anche:
recensione
trailer
intervista: A.B. Shawky, Dina Emam
scheda film
]
and Benedikt Erlingsson’s Woman at War [+leggi anche:
recensione
trailer
intervista: Benedikt Erlingsson
intervista: Benedikt Erlingsson
scheda film
]
.

Film Europe has already managed to load up its slate with a number of recent acquisitions, such as Louis Garrel’s A Faithful Man [+leggi anche:
recensione
trailer
intervista: Louis Garrel
scheda film
]
Hirokazu Kore-Eda’s The Truth About CatherineArnaud Desplechin’s Roubaix, a Light, the Dardenne brothers’ Ahmed and Ari Folman’s Where Is Anne Frank?

(Tradotto dall'inglese)

Ti è piaciuto questo articolo? Iscriviti alla nostra newsletter per ricevere altri articoli direttamente nella tua casella di posta.