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CINÉMA DU RÉEL 2019

Il documentario in tutte le sue forme a Cinéma du Réel

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- Competizioni, proiezioni speciali, eventi e finestra professionale: i documentari sbarcano a Parigi, dal 15 al 24 marzo, per il 41° Festival Cinéma du Réel

Il documentario in tutte le sue forme a Cinéma du Réel
Movements of a Nearby Mountain di Sebastian Brameshuber

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Yolande Zauberman's remarkable, punchy and poignant M [+leggi anche:
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(Special Jury Prize at Locarno and due to be released in French theatres by New Story on 20 March) will be kicking off the 41st edition of the Cinéma du Réel Festival, which is due to take place at the Pompidou Centre in Paris from 15 to 24 March.

This very audacious film by a director to whom the event will also be dedicating a Focus (along with three other titles) sets the tone for the rest of Cinéma du Réel’s programme (now run by Catherine Bizern), which continues to forge ahead with documentary film in all its forms, from contemporary creations to classic docs.

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The international competition will be showcasing 14 films (to be deliberated over by a jury comprised of Carlo Chatrian, Mahamat-Saleh Haroun, Nino Kirtadze and Madeleine Molyneaux), including nine European productions and co-productions: Campo [+leggi anche:
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by the Portuguese director Tiago Hespanha, Movements of a Nearby Mountain [+leggi anche:
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intervista: Sebastian Brameshuber
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by the Austrian director Sebastian Brameshuber, Taurunum Boy [+leggi anche:
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by the Serbian directors Dušan Grubin and Jelena Maksimovíc, Hamada [+leggi anche:
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intervista: Eloy Domínguez Serén
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by the Spanish director Eloy Domínguez Serén (produced by Sweden, Norway and Denmark), Walden [+leggi anche:
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by the Swiss director Daniel Zimmermann, Shelter – Farewell To Eden [+leggi anche:
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by the Italian director Enrico Masi (co-produced by France), The Way to the Mountains [+leggi anche:
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intervista: Micol Roubini
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by his compatriot Micol Roubini (also co-produced by France), Last Night I Saw You Smiling [+leggi anche:
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by the Cambodian director Kavich Neang (co-produced by the French outfit Apsara Films and awarded Best Asian Film at Rotterdam) and Dreams of The Castle [+leggi anche:
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by René Ballesteros (produced by Chile and France). They will be in the running against two films from Brazil, and one from Mexico, the US and China respectively.

The French selection will feature 12 films: Green Boys [+leggi anche:
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by Ariane Doublet, Forbach Swing [+leggi anche:
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by Marie Dumora, Sankara Is Not Dead [+leggi anche:
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by Lucie Viver, The Good Grain and the Chaff [+leggi anche:
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 by Manuela Frésil, Berlin Based [+leggi anche:
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by Vincent Dieutre, Paris Stalingrad [+leggi anche:
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by Hind Meddeb and Thim Naccache, Amara [+leggi anche:
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by Pierre Michelon, Niblock’s Sound Spectrums – Within Invisible Rivers [+leggi anche:
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by Thomas Maury, Rising From the Tsunami [+leggi anche:
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 by Hélène Robert and Jérémy Perrin, Here, I Won't Die [+leggi anche:
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by Edie Laconi and Cécile Dumas, Capital retour [+leggi anche:
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by Léo Bizeul and Nofinofy [+leggi anche:
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by Michaël Andrianaly (co-produced by Madagascar).

Nine international and ten French shorts will also be on the bill, as well as a number of events, including a retrospective on Kevin Jerome Everson and the Fabriquer le Cinéma and Front(s) Populaire(s) programmes, as well as a very enticing programme of special events, which will be showcasing the likes of Varda by Agnès [+leggi anche:
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by Agnès Varda, Monrovia, Indiana by Frederick Wiseman, The Trial [+leggi anche:
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by Sergei Loznitsa, the French-Italian production Selfie [+leggi anche:
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by Agostino Ferrente, Just Don't Think I'll Scream [+leggi anche:
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by Frank Beauvais, the documentary series Le Village by Claire Simon and I diari di Angela – Noi due cineasti [+leggi anche:
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by Yervant Gianikian and Angela Ricci Lucchi

All without forgetting the professional ParisDOC  section, which is due to run from19 to 22 March (with six work-in-progress films, round tables and themed meetings).

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(Tradotto dal francese)

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