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DOCAVIV 2019

Docaviv svela il suo programma completo

di 

- La 21ma edizione del più grande evento israeliano dedicato al documentario presenterà 130 film in otto sezioni e si concentrerà sull'avvincente dialogo tra uomo e natura

Docaviv svela il suo programma completo
Storia di B. La scomparsa di mia madre di Beniamino Barrese

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The 21st edition of Docaviv, Tel Aviv’s international documentary film festival, which runs from 23 May–1 June, has announced its full programme, consisting of 130 films across eight sections. In addition to the Israeli Competition, which was announced earlier this month (see the news), the festival features two main competitive, feature-length film strands: the International Competition and Depth of Field.

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The International Competition consists of 11 titles, eight of which are European (co-)productions: Mint Film Office's IDFA prizewinner 'Now something is slowly changing’ [+leggi anche:
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(Netherlands), Goran Dević's DOK Leipzig-awarded On the Water [+leggi anche:
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(Croatia), Hassan Fazili's Sundance and Visions du Réel hit Midnight Traveler [+leggi anche:
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(USA/Qatar/UK/Canada), Bettina Perut and Iván Osnovikoff's IDFA-awarded Los Reyes [+leggi anche:
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(Chile/Germany), Kim Longinotto's Sundance and Berlinale title Shooting the Mafia [+leggi anche:
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(Ireland/USA), Anna Eborn's Göteborg and Rotterdam prizewinner Transnistra [+leggi anche:
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(Sweden/Denmark/Belgium), Tamara Kotevska and Ljubomir Stefanov's triple Sundance winner Honeyland [+leggi anche:
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(Macedonia), and Beniamino Barrese's Sundance and CPH:DOX entry The Disappearance of My Mother [+leggi anche:
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(Italy/USA). Two US films, 17 Blocks by Davy Rothbart and Mike Wallace Is Here by Avi Belkin, plus the Canadian production Dark Suns by Julien Elie, round off the selection. For more information, please click here.

The Depth of Field Competition consists of nine films that push the envelope of the genre, redefining the word “documentary”. Seven of them are European (co-)productions, including Guy-Marc Hinant's Charleroi, the Land of 60 Mountains (Belgium), Victor Moreno's The Hidden City [+leggi anche:
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(Spain/France/Germany), Mischa Hedinger's African Mother (Switzerland), Israela Shaer Meoded's Woman (Israel) and Francisco Marise's To War [+leggi anche:
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(Spain/Argentina/Portugal/Panama). For the full list, please click here

Docaviv’s artistic director, Karin Rywkind Segal, comments: “This year’s programme delves into the heated, riveting dialogue between man and nature through thrilling, multi-faceted, soul-touching cinema. The carefully curated programme reflects the big picture as well as the smaller details of our world, examining the sins of the past and a disturbing present, but never neglecting to show humanity and beauty.”

Sidebar sections include Panorama, with films such as Aquarela [+leggi anche:
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Earth [+leggi anche:
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intervista: Nikolaus Geyrhalter
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Gods of Molenbeek [+leggi anche:
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Sakawa
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and Cold Case Hammarskjöld [+leggi anche:
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intervista: Mads Brügger
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; and Masters, with the latest films by Jean Gabriel PériotTsai Ming Liang, Vitaly Mansky and Werner Herzog, while great Japanese helmer Kazuo Hara will enjoy a retrospective. More appealing documentaries can be found in the Arts&Culture and Music sections (including Architecture of Infinity [+leggi anche:
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, Up the Mountain, The Ghost of Peter Sellers [+leggi anche:
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, Mystify: Michael Hutchence
 and Suede: The Insatiable Ones). To consult the full programme, please click here.

Finally, Docaviv's industry section will feature the DOC LAB TLV, a rough-cut workshop, as well as a seminar entitled International Marketing and Distribution: From PR to the Oscars, and the new WebiDocs segment, spotlighting the emerging field of web documentaries.

“Docaviv draws in tens of thousands of attendees annually, providing them with the richest, most up-to-date programme in the international documentary field,” says Docaviv’s festival director, Galia Bador. “Last year’s edition attracted 60,000 visitors, and a total of 120,000 filmgoers attended Docaviv screenings during 2018. These numbers reflect people’s need and desire for free and daring art, the kind that showcases diverse and thought-provoking voices and perspectives.”

(Tradotto dall'inglese)

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