HAVC supporta i nuovi film di Maja Miloš e Milcho Manchevski
- Anche i nuovi progetti del serbo Srdjan Keča, del montenegrino Senad Šahmanović e della slovena Sara Božanić hanno ottenuto un sostegno tramite il programma di coproduzione minoritaria
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The Croatian Audiovisual Centre (HAVC) has announced the results of its latest minority co-production support scheme, where five projects received a total of €277,206.
The biggest names among the winners are Serbian director Maja Miloš and Macedonian filmmaker Milcho Manchevski.
Miloš, whose first feature, Clip [+leggi anche:
intervista: Maja Milos
scheda film], won a Rotterdam Tiger in 2012, received €85,804 for her sophomore effort, Rift in the Ice, a co-production between Serbia's Baš Čelik, Croatia's Propeler Film, Italy's Nightswim, the Netherlands’ Volya Films and Slovenia's Spok Films/Vertigo.
Manchevski got the same amount for his seventh feature, Kaymak, a co-production between North Macedonia's Banana Film, Croatia's Jaako dobra produkcija, Denmark's Meta Film, Bulgaria's Dare Films, Albania's Tirana Film Institute and the Netherlands' Isabella Films, with the UK's Ian Prior, of Scala Productions, on board as executive producer and with the participation of North Macedonia's national broadcaster, MRTV.
Montenegrin director Senad Šahmanović, whose short Tranquility of Blood made a splash on the festival circuit in 2015, received €59,407 for his feature debut, Sirin, a co-production between Montenegro's Cut-Up, Croatia's Sekvenca, Bosnia and Herzegovina's Dokument, Kosovo's Buka, France's Alliance de Production Cinématographique and Albania's On Film.
Serbian filmmaker Srdjan Keča, whose highly anticipated documentary Museum of the Revolution has been winning prizes at numerous co-production markets over the last two years, got €33,005 for another documentary feature, the Sahara-set That Sound High in the Air, a co-production between Serbia's Non-Aligned Films, Croatia's Restart and France's Bocalupo Films.
Finally, Slovenia's Sara Božanić received €13,202 for the post-production of her hybrid animated short Cinda Real, a co-production between Slovenia's Institute for Transmedia Design, Croatia's Minya Film and Animation, Portugal's Sparkle Animation, and Bosnia and Herzegovina's AEON Productions.
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