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FINÁLE PLZEŇ 2021

Finále Plzeň mostra l'anatomia del nuovo cinema ceco

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- I preferiti dei festival, le anteprime imminenti e le coproduzioni ceche rappresenteranno la stagione 2020 e 2021 del cinema nazionale

Finále Plzeň mostra l'anatomia del nuovo cinema ceco
Saving One Who Was Dead di Václav Kadrnka

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Czech productions from 2020 and 2021 will be screened at Finále Plzeň, the annual showcase for domestic cinema. Michaela Pavlátová’s animated drama My Sunny Maad [+leggi anche:
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intervista: Michaela Pavlátová
scheda film
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will open the 34th edition of the festival, which hosts five competition sections. Olmo Omerzu’s Bird Atlas [+leggi anche:
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intervista: Olmo Omerzu
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, Jan Foukal’s Two Ships [+leggi anche:
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intervista: Jan Foukal
scheda film
]
, Václav Kadrnka’s Saving One Who Was Dead [+leggi anche:
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intervista: Václav Kadrnka
scheda film
]
and Šimon Holý’s Mirrors in the Dark [+leggi anche:
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intervista: Šimon Holý
scheda film
]
will be competing in the Feature Live Action or Animated Film Competition right after their Karlovy Vary world premieres. They will be joined by the Golden Bear-winning Bad Luck Banging or Loony Porn [+leggi anche:
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intervista: Radu Jude
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]
, by Radu Jude, and Bohdan Sláma’s Shadow Country [+leggi anche:
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scheda film
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, the best film of 2020 according to Czech film critics (read the news). Documentary films including  the road movie Once Upon a Time in Poland [+leggi anche:
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scheda film
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, by Vít Klusák and Filip Remunda; Athanor – The Alchemical Furnace [+leggi anche:
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intervista: Adam Oľha
scheda film
]
by Adam Olha and Jan Danhel; and Jindřich Andrš’s A New Shift [+leggi anche:
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scheda film
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will face strong competition from domestic box-office hit Caught in the Net, directed by Barbora Chalupová and Vít Klusák (read the news). The other competitive sections are dedicated to feature and miniseries television production, episodic and online production, and student films.  

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Traditionally, Finále Plzeň brings a sneak peek of new films in a series of domestic avant-premieres. Among them will be Peter Kerekes’s docudrama 107 Mothers [+leggi anche:
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intervista: Peter Kerekes
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]
, which has just won the Award for Best Screenplay in the Orizzonti sidebar at the Venice Film Festival; the Berlinale-premiered co-production Je Suis Karl [+leggi anche:
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intervista: Christian Schwochow
scheda film
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, directed by Christian Schwochow; the animated road movie Even Mice Belong in Heaven, by Jan Bubeníček and Denisa Grimmová; Jan P. Matuszyński’s drama Leave No Traces [+leggi anche:
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intervista: Jan P. Matuszyński
scheda film
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and Bogdan George Apetri’s Unidentified [+leggi anche:
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. Co-production projects will have their own special section, which will this year introduce the epic family fairytale Dragon Princess; a thriller based on the Tony-winning play Oslo directed by Bartlett Sher; The Year Before the War [+leggi anche:
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intervista: Dāvis Sīmanis
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]
, a historical mystification directed by Dāvis Sīmanis; and Šarūnas Bartas’ drama In the Dusk [+leggi anche:
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intervista: Sharunas Bartas
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]

The cinemas of two European countries will be in the festival's focus: Germany and Poland. The selection of Polish films consists mainly of recent award-winning oeuvres, which include Jan Komasa’s Corpus Christi [+leggi anche:
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intervista: Bartosz Bielenia
intervista: Jan Komasa
scheda film
]
, Piotr Domalewski’s I Never Cry [+leggi anche:
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intervista: Piotr Domalewski
scheda film
]
and Marius Wilczynski’s animated, semi-autobiographical drama Kill It and Leave This Town [+leggi anche:
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intervista: Mariusz Wilczyński
scheda film
]
. German cinema will be represented by Eline Gehring’s Nico, which follows a German-Persian nurse and the fallout of a xenophobic attack perpetrated against her; Joséphine Demerliac’s The Sun is Burning, a drama about a generation in living in a society where globalisation and the social media revolution have severely disrupted our models of love; and Maxim Melnyk’s documentary Schönborn.

The 34th edition of Finále Plzeň runs from 24-29 September, and the full line-up is available here.

(L'articolo continua qui sotto - Inf. pubblicitaria)

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