La figlia oscura e Due donne - Passing trionfano agli Spirit Awards

di David González

07/03/2022 - Le coproduzioni USA-Europa hanno vinto nelle categorie principali dei premi statunitensi per il cinema indipendente; il maltese Alex Camilleri ha ricevuto il Someone to Watch Award

La figlia oscura e Due donne - Passing trionfano agli Spirit Awards

I produttori di La figlia oscura, con la regista Maggie Gyllenhaal, ricevono il premio per il miglior film (© Film Independent)

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The 37th annual Film Independent Spirit Awards took place on Sunday 6 March in Los Angeles. After having announced their nominees (which not only included the usual US-European co-productions in the English language, but also a number of 100% European productions - see the news), the awards highlighted some European talent.

Despite the fact that European productions like Jonas Carpignano’s A Chiara [+leggi anche:
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intervista: Jonas Carpignano
scheda film] and Ninja Thyberg's Pleasure [+leggi anche:
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intervista: Ninja Thyberg
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scheda film], for which director Alex Camilleri won in the Someone to Watch Award category. Camilleri, a Maltese-US filmmaker now based in New York City, is an alumnus of both the Sundance and Film Independent labs. His social drama, in which he shows a side of Malta that is a world apart from its traditional, tourist-orientated vistas, was world-premiered in the 2021 Sundance World Cinema Competition, where it won a Special Jury Award for Acting for its lead, Jesmark Scicluna.

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On top of this, the main victor of the night was the US-European co-production The Lost Daughter [+leggi anche:
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scheda film], the directorial debut by US actress Maggie Gyllenhaal. The film, produced by the USA, the UK, Israel and Greece, went home with the Awards for Best Feature, Best Director and Best Screenplay (a prize it previously received at the most recent Venice Film Festival). Another directorial debut by an actress, this time a British one, Rebecca Hall's Passing [+leggi anche:
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scheda film], won awards in two categories: Best Cinematography for Eduard Grau's work, and Best Supporting Female for Ruth Negga's turn. Coincidentally, both films are Netflix titles. CODA, Sian Heder's remake of the 2014 French hit The Bélier Family [+leggi anche:
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As for the Best International Film category, the juggernaut Drive My Car by Japan’s Ryusuke Hamaguchi ended up taking home the crown, beating a number of European contenders: Pedro Almodóvar’s Parallel Mothers [+leggi anche:
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intervista: Juho Kuosmanen
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scheda film] and Tatiana Huezo’s Mexican-European co-production Prayers for the Stolen [+leggi anche:
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scheda film]. Lastly, Jonas Poher Rasmussen’s sensation Flee [+leggi anche:
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intervista: Jonas Poher Rasmussen
scheda film] (which won the Best Feature Award at the International Documentary Association’s annual awards ceremony on Friday) lost out to Questlove's Summer of Soul.