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ANGOULÊME 2022

Ad Angoulême si apre la 15ma caccia al Valois d'Or

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- Con i suoi dieci titoli in concorso a capo di un vasto programma ricchissimo di anteprime, la nuova edizione del Festival del cinema francofono si svolgerà dal 23 al 28 agosto

Ad Angoulême si apre la 15ma caccia al Valois d'Or
Houria di Mounia Meddour

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The world premiere of Driving Madeleine [+leggi anche:
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by Christian Carion will open the 15th Angoulême Francophone Film Festival (FFA) which will be held until 28 August. The event, well appreciated by French distributors who like to test the public’s reactions there before releases, will close with the Cannes title The Innocent [+leggi anche:
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by Louis Garrel and offers a very dense programme including a competition of ten titles evaluated by a jury presided over by André Dussollier (assisted by among others Verle Baetens, Leyla Bouzid, Joséphine Japy and Isabelle Kabano).

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In the running for the 2022 Valois d’Or are, in particular, two titles revealed in Cannes, namely The Worst Ones [+leggi anche:
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intervista: Romane Gueret e Lise Akoka
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by Lise Akoka and Romane Gueret (winner of Un Certain Regard) and The Blue Caftan [+leggi anche:
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by Maryam Touzani, but also Houria [+leggi anche:
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by Mounia Meddour, Angry Annie [+leggi anche:
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by Blandine Lenoir (discovered recently in Locarno), Eloïse's Journey [+leggi anche:
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by Murielle Magellan, Les survivants by Guillaume Renusson, The Sixth Child [+leggi anche:
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by Léopold Legrand, Habib, la grande aventure [+leggi anche:
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by Belgian filmmaker Benoît Mariage, and two Canadian features.

24 films feature in the premiere programme, amongst which the Cannes competitor Forever Young [+leggi anche:
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intervista: Valeria Bruni Tedeschi
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by Valeria Bruni Tedeschi, A Woman by Jean-Paul Civeyrac (unveiled in Locarno), Youssef Salem a du succès by Baya Kasmi, Les Cyclades by Marc Fitoussi, Une histoire d’amour by Alexis Michalik, The Vanished President [+leggi anche:
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 by Jean-Marc Peyrefitte, Le prix du passage by Thierry Binisti, Citoyen d’honneur by Mohamed Hamidi, De grandes espérances by Sylvain Desclous, Maria into Life [+leggi anche:
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by Lauriane Escaffre and Yvo Muller, The Nannies by Julien Rambaldi, Tempête by Christian Duguay, as well as Simone, a Woman of the Century by Olivier Dahan.

The section Les Flamboyants will present 16 ans by Philippe Lioret, the Cannes title Our Brothers [+leggi anche:
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by Rachid Bouchareb, the Berlin titles The Line [+leggi anche:
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intervista: Ursula Meier
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by Ursula Meier and About Joan [+leggi anche:
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intervista: Laurent Larivière
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by Laurent Larivière, and the animated feature My Father’s Secrets [+leggi anche:
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by Véra Belmont.

In the Premiers rendez-vous section are notable La passagère by Héloïse Pelloquet, Vacations by Béatrice Sebbah de Staël and Léo Wolfenstein, C’est mon homme by Guillaume Bureau and the Cannes title Love According to Dalva [+leggi anche:
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intervista: Emmanuelle Nicot
intervista: Emmanuelle Nicot, Julie Es…
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by Emmanuelle Nicot, while the Nouveaux Regards programme includes The Astronaut [+leggi anche:
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by Nicolas Giraud, Amore Mio [+leggi anche:
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by Guillaume Gouix, L’enfant du paradis by Salim Kechiouche and Rue des dames by Hamé and Ekoué.

To note as well the Coups de coeur titles Arrête avec tes mensonges by Olivier Peyon and Slumlord by Steve Achiepo.

The rest of the very rich programme includes an homage (in films) to Pathé, a section celebrating the 15 years of Orange Studio, some cinema-concerts, a retrospective of previous editions of the festival and a tribute to William Hurt.

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(Tradotto dal francese)

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