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ARRAS 2022

L'Arras Film Festival cala i suoi assi

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- 120 film in programma, il concorso per l'Atlas d'oro, scoperte europee e tanti anteprime francese, alla 23ma edizione che si svolgerà dal 4 al 13 novembre

L'Arras Film Festival cala i suoi assi
The Happiest Man in the World di Teona Strugar Mitevska

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Surfing on an astute editorial line combining European films not yet seen in France and a raft of French feature films whose teams are more than happy to make their way to the welcoming Artesian city - an amalgam which has thus far ensured great mainstream success (attracting upwards of 50,000 viewers in 2019 and an impressive 38,000 despite last year’s ongoing context of onerous health restrictions) and cinephile appeal - the Arras Film Festival (steered by Nadia Paschetto and Éric Miot) has unveiled the bumper programme of its 23rd edition, which is unspooling between 4 and 13 November.

(L'articolo continua qui sotto - Inf. pubblicitaria)

Nine feature films not yet seen in France will be battling it out for the 2022 Golden Atlas (to be awarded by a jury led by French filmmaker Thomas Lilti), notably including Il Boemo [+leggi anche:
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intervista: Petr Vaclav
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by Czech director Petr Václav (unveiled in competition at San Sebastian), three films discovered in Venice’s Orizzonti line-up (The Happiest Man in the World [+leggi anche:
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intervista: Teona Strugar Mitevska
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]
by Macedonia’s Teona Strugar Mitevska, Victim [+leggi anche:
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intervista: Michal Blaško
scheda film
]
by Slovakia’s Michal Blasko, and Luxembourg, Luxembourg [+leggi anche:
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intervista: Antonio Lukich
scheda film
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by Ukraine’s Antonio Lukic), two titles screened in competition in Sarajevo (Six Weeks [+leggi anche:
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intervista: Noemi Veronika Szakonyi
scheda film
]
by Hungary’s Noémi Veronika Szakonyi and Men of Deeds [+leggi anche:
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intervista: Paul Negoescu
scheda film
]
by Romania’s Paul Negoescu) and one in the Berlinale’s Panorama section (Working Class Heroes [+leggi anche:
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intervista: Miloš Pušić
scheda film
]
by Serbia’s Milos Pusic), not to mention Now/here [+leggi anche:
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intervista: Peter Monsaert
scheda film
]
by Belgium’s Peter Monsaert and Wolka [+leggi anche:
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scheda film
]
by late Icelandic director Árni Ólafur Ásgeirsson.

Gracing the Eastern Visions line-up, we’ll find Metronom [+leggi anche:
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intervista: Alexandru Belc
scheda film
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by Romania’s Alexandru Belc (well-received in Cannes’ Un Certain Regard section), Mikado [+leggi anche:
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intervista: Emanuel Pârvu
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by his compatriot Emanuel Parvu (unveiled in San Sebastian’s New Directors line-up), Klondike [+leggi anche:
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intervista: Maryna Er Gorbach
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]
by the Ukraine’s Maryna Er Gorbach (rewarded in Sundance and screened in the Berlinale’s Panorama section), After the Winter [+leggi anche:
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intervista: Ivan Bakrač
scheda film
]
by Montenegrin director Ivan Bakrač (discovered in Karlovy Vary), Natural Light [+leggi anche:
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intervista: Dénes Nagy
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]
by Hungary’s Denes Nagy (awarded the Silver Bear for Best Director in Berlin) and poignant title Moja Vesna [+leggi anche:
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intervista: Sara Kern
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]
by Slovenian-Australian director Sara Kern (presented in Berlin’s Generation line-up).

Stealing focus in the European Discoveries domain are Cannes titles Corsage [+leggi anche:
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intervista: Marie Kreutzer
intervista: Marie Kreutzer
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by Austria’s Maria Kreutzer, Love According to Dalva [+leggi anche:
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intervista: Emmanuelle Nicot
intervista: Emmanuelle Nicot, Julie Es…
scheda film
]
by Belgium’s Emmanuelle Nicot, Godland [+leggi anche:
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intervista: Elliott Crosset Hove
intervista: Hlynur Pálmason
scheda film
]
by Iceland’s Hlynur Pálmason, Nostalgia [+leggi anche:
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intervista: Mario Martone
intervista: Pierfrancesco Favino
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]
by Italy’s Mario Martone and Sick of Myself [+leggi anche:
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intervista: Kristine Kujath Thorp
intervista: Kristoffer Borgli
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]
by Norway’s Kristoffer Borgli. There are also the Berliner attractions Alcarras [+leggi anche:
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intervista: Carla Simón
intervista: Carla Simón
intervista: Giovanni Pompili
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]
by Spanish director Carla Simon and Rabiye Kurnaz vs George W. Bush [+leggi anche:
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intervista: Andreas Dresen
intervista: Meltem Kaptan
scheda film
]
by Germany’s Andreas Dresen, as well as The Quiet Girl [+leggi anche:
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intervista: Colm Bairéad
scheda film
]
by Ireland’s Colm Bairéad and a first feature film unveiled in San Sebastian: Josephine [+leggi anche:
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scheda film
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by Spanish helmer Javier Marco.

The World Cinema section will notably showcase European co-productions in the form of Burning Days [+leggi anche:
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intervista: Emin Alper
scheda film
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by Turkey’s Emin Alper, Blanquita [+leggi anche:
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scheda film
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by Chile’s Fernando Guzzoni, Houria [+leggi anche:
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scheda film
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by French-Algerian director Mounia Meddour, and Huda’s Salon [+leggi anche:
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by Dutch-Palestinian helmer Hany Abu-Assad.

Last but not least, 27 premieres of French films stand tall amongst the 120 films on the agenda (including 80 which haven’t yet been seen or are premieres), including Alice Diop’s French candidate for the Oscars Saint Omer [+leggi anche:
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intervista: Alice Diop
intervista: Kayije Kagame
scheda film
]
and two other titles discovered in Venice (Our Ties [+leggi anche:
recensione
trailer
scheda film
]
by Roschdy Zem and For My Country [+leggi anche:
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intervista: Rachid Hami
scheda film
]
by Rachid Hami), the reigning champion of Cannes’ Un Certain Regard section The Worst Ones [+leggi anche:
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intervista: Romane Gueret e Lise Akoka
scheda film
]
by Lise Akoka and Romane Gueret, not to mention And Yet We Were All Blind [+leggi anche:
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intervista: Béatrice Pollet
scheda film
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by Béatrice Pollet, Sixteen [+leggi anche:
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scheda film
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by Philippe Lioret and White Paradise [+leggi anche:
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scheda film
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by Guillaume Renusson, to name but a few of the participants in this jam-packed showcase, which is further rounded off by a French Perspectives section, showcasing Bright Women [+leggi anche:
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scheda film
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by Sylvie Gautier, Amore mio [+leggi anche:
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scheda film
]
by Guillaume Gouix and Thomas Salvador’s brilliant movie The Mountain [+leggi anche:
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intervista: Thomas Salvador
scheda film
]
.

Likewise worth a mention are two retrospective sections (one organised by Positif magazine, the other named "Victoria: A Queen, An Empire"), a children’s festival (notably featuring Ernest and Celestine: A Trip to Gibberitia [+leggi anche:
trailer
scheda film
]
by Julien Chheng and Jean-Christophe Roger, No Dogs or Italians Allowed [+leggi anche:
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intervista: Alain Ughetto
scheda film
]
by Alain Ughetto, Neneh Superstar by Ramzi Ben Sliman, Ride Above [+leggi anche:
trailer
scheda film
]
by Christian Duguay, and The Lulus by Yann Samuell), and, in the festival’s professional sidebar, the 16th edition of the Professional Northern Film Meetings (running 8 – 10 November) and Arras Days’ Development Aid Fund pitching sessions (on 12 and 13 November).

(L'articolo continua qui sotto - Inf. pubblicitaria)

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