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IL CAIRO 2022

Il Cairo International Film Festival scalda i motori

di 

- Particolarmente forte anche quest'anno la presenza del cinema europeo alla 44ma edizione del prestigioso raduno egiziano, che prende il via il 13 novembre

Il Cairo International Film Festival scalda i motori
L'Astronaute di Nicolas Giraud

Questo articolo è disponibile in inglese.

The only A-list film event both in Africa and in the MENA region, the Cairo International Film Festival will take place from 13-22 November and will screen 97 films from 52 countries, 29 of which will be world or international premieres. While the Honorary Golden Pyramids for Lifetime Achievement will be given to Hungarian filmmaker Béla Tarr and Egyptian actress Lebleba, known for her work in the 1970s (also partly influencing the movies featured in the Cairo Classics retrospective section), and the Faten Hamama Excellence Award will be bestowed upon Egyptian filmmaker Kamla Abu Zekry, the seven-member jury chaired by Japanese helmer Naomi Kawase will have to decide which of the fresh titles and contemporary filmmakers will earn their Golden, Silver and Bronze Pyramids, along with other awards.

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This year’s International Competition includes a total of 14 film titles, five of which will be getting their world premieres. The European presence in the main competitive category is strong once again this time around: nine of the competing films are European productions or co-productions, and two of them will world-premiere at Cairo. Those world-premiering European titles are Nicolas Giraud’s The Astronaut [+leggi anche:
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(France) and Eleonora Veninova’s Things Unsaid [+leggi anche:
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intervista: Eleonora Veninova
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(North Macedonia/Serbia), while three more hail from other regions, such as Ahmad Abdalla’s 19B (Egypt), I Don’t Want to Be Dust (Mexico/Argentina) by Iván Löwenberg, and Ridha Behi’s The Island of Forgiveness (Tunisia/Lebanon/USA). Other European majority productions include Damian Kocur’s Bread and Salt [+leggi anche:
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intervista: Damian Kocur
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(Poland), Maksym Nakonechnyi’s Butterfly Vision [+leggi anche:
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intervista: Maksym Nakonechnyi
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(Ukraine/Czech Republic/Croatia/Sweden), Pierre Földes’ animated feature Blind Willow, Sleeping Woman [+leggi anche:
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intervista: Pierre Földes
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(France/Canada/Netherlands/Luxembourg), Ali Cherri’s The Dam [+leggi anche:
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intervista: Ali Cherri
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(France/Lebanon/Sudan/Qatar/Germany/Serbia), Firas Khoury’s Alam [+leggi anche:
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(France/Palestine/Tunisia/Saudi Arabia/Qatar) and Emmanuelle Nicot’s Love According to Dalva [+leggi anche:
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intervista: Emmanuelle Nicot
intervista: Emmanuelle Nicot, Julie Es…
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(Belgium/France). There is also one minority co-production, Something You Said Last Night [+leggi anche:
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intervista: Luis De Filippis
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(Canada/Switzerland) by Luis De Filippis.

European productions and co-productions will also be represented in two other parallel competition sections. The French-Lebanese co-production Mother Valley [+leggi anche:
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will world-premiere in the Horizons of Arab Cinema competition, while Mounia Meddour’s French-Belgian co-pro Houria [+leggi anche:
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will have its MENA premiere in the same strand. In the Critics’ Week competition, European-backed titles will dominate the roster. The Oasis of Frozen Waters (Morocco/France) by Mohammed Raouf Sebbahi will celebrate its world premiere, Christian Suhr’s documentary Light upon Light (Egypt/Denmark) will have its international one, while the list of European flicks is rounded off by Valentina Maurel’s Tengo sueños eléctricos [+leggi anche:
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intervista: Valentina Maurel
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, Dmytro Sukholytkyy-Sobchuk’s Pamfir [+leggi anche:
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intervista: Dmytro Sukholytkyy-Sobchuk
intervista: Dmytro Sukholytkyy-Sobchuk
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and Michal Blaško’s Victim [+leggi anche:
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intervista: Michal Blaško
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.

The Main Selection – Out of Competition will also screen some European titles that are well known from the festival circuit, such as Carla Simón’s Alcarràs [+leggi anche:
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intervista: Carla Simón
intervista: Carla Simón
intervista: Giovanni Pompili
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, Lukas Dhont’s Close [+leggi anche:
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intervista: Eden Dambrine
intervista: Lukas Dhont
intervista: Lukas Dhont
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, Maryna Er Gorbach’s Klondike [+leggi anche:
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intervista: Maryna Er Gorbach
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, Jerzy Skolimowski’s EO [+leggi anche:
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, Mario Martone’s Nostalgia [+leggi anche:
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intervista: Mario Martone
intervista: Pierfrancesco Favino
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, Florian Zeller’s The Son [+leggi anche:
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and Cristian Mungiu’s R.M.N. [+leggi anche:
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intervista: Cristian Mungiu
intervista: Judith State
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. The same could also be said for the Special Screenings programme, the non-competitive International Panorama and the genre-orientated Midnight Screenings.

As for the festival’s industry section, the fifth edition of the Cairo Industry Days will take place from 17-22 November, taking in a selection of master classes (given by, among others, Lifetime Achievement Award winner Béla Tarr and jury president Naomi Kawase), workshops (again, Béla Tarr and US cinematographer Irvin Liu, to name just a few), and a number of panels and talks with two other winners of Honorary Awards, Kamla Abu Zekry and Lebleba. On top of this, 15 film projects at various stages, from development to post-production, coming from ten countries in the Middle East-North Africa region will be pitched at the ninth Cairo Film Connection.

(L'articolo continua qui sotto - Inf. pubblicitaria)

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