François Ozon's The Crime is Mine [+leggi anche:
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intervista: François Ozon
scheda film] will open tomorrow as the out-of-competition premiere of the 35th Premiers Plans Festival in Angers (21-29 January), directed by Claude-Eric Poiroux. A sanctuary for the best young European talent, the event will, as usual, offer a very rich programme reflecting the diversity and quality of European cinema, whose diversity, quality and talent are constantly being renewed.

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The ten feature films competing in the international competition will be judged by a jury chaired by French filmmaker Mia Hansen-Løve (with the support of Rebecca Marder, Mikhaël Hers, Félix Moati and Jean-Baptiste de Laubier, aka Para One). Two films unveiled at the Cannes Critics' Week are also in the running: Aftersun [+leggi anche:
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scheda film] by Scotland's Charlotte Wells and Simon Rieth's Summer Scars [+leggi anche:
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intervista: Simon Rieth
scheda film]), three in San Sebastián (the Spanish attraction Suro [+leggi anche:
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intervista: Mikel Gurrea
scheda film] by Mikel Gurrea, Spare Keys [+leggi anche:
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scheda film] by the French duo Jeanne Aslan- Paul Saintillan, which won New Directors, and the Franco-German-Italian-Iranian co-production A Tale of Shemroon [+leggi anche:
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scheda film] by Emad Aleebrahim-Dehkordi), one in Locarno (Valentina Maurel's Belgian-French-Costa Rica production I Have Electric Dreams [+leggi anche:
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intervista: Valentina Maurel
scheda film], which won three prizes), one in Berlin (Annika Pinske's Talking About the Weather [+leggi anche:
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intervista: Annika Pinske
scheda film]) and one in Karlovy Vary (Andrea Bagney's Ramona [+leggi anche:
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intervista: Andrea Bagney
scheda film]). Added to these are Chien de la casse [+leggi anche:
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scheda film] by Frenchman Jean-Baptiste Durand and Day of the Tiger [+leggi anche:
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intervista: Andrei Tănase
scheda film] by Romanian Andrei Tănase.



The Diagonale competitive section, which focuses on particularly daring works (and whose jury will be chaired by Samir Guesmi), includes, among others, the feature films Astrakan [+leggi anche:
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scheda film] by Frenchman David Depesseville (discovered at Locarno), Unrest [+leggi anche:
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intervista: Cyril Schäublin
scheda film] by Swiss director Cyril Schäublin (Best Director Encounters prize in Berlin) and the documentaries How To Save A Dead Friend [+leggi anche:
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scheda film] by Russian exile Marusya Syroechkovskaya (special mention at Visions du réel and screened at ACID Cannes) and Fragile Memory [+leggi anche:
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intervista: Igor Ivanko
scheda film] by Igor Ivanko (special prize at Sarajevo).

In addition to the various competitions for short films (with a main jury chaired by French director Vincent Le Pors), school films, animated works and titles for young audiences, the Angevin festival, which will close with Noémie Lvovsky's The Great Magic [+leggi anche:
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intervista: Kristine Kujath Thorp
intervista: Kristoffer Borgli
scheda film] by Norwegian director Kristoffer Borgli, Attachment [+leggi anche:
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scheda film] by Danish director Gabriel Bier Gislason, El doble (the episode by Rodrigo Sorogoyen of the mini-series Historias para no dormir [+leggi anche:
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scheda series]) and Earwig [+leggi anche:
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intervista: Lucile Hadzihalilovic
scheda film] by French director Lucile Hadzihalilovic.


Finally, the programme also includes tributes and retrospectives (dedicated to Mia Hansen-Løve, Rodrigo Sorogoyen, Jeanne Moreau, Sandrine Kiberlain and animation today in Central Europe), a day with the animation filmmaker Florence Miailhe (The Crossing [+leggi anche:
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scheda film]) and the traditional script readings (with this year's feature films Jonathan Millet's Les Fantômes [+leggi anche:
intervista: Pauline Seigland
scheda film], Winter in Sokcho by Koya Kamura and Big Sky by Akihiro Hata), not forgetting the Ateliers d'Angers residency with five selected projects, which Cineuropa will discuss in detail later.